Cory Arcangel – interview: ‘Making art is just basically dowsing’

Brooklyn-based artist Cory Arcangel talks about his latest show at the Lisson Gallery in London, bil...

Sunken Cities: Egypt’s Lost Worlds

Ongoing excavations of two rediscovered cities have shone light on a rich era in Egyptian history, a...

György Kovásznai: A Cold War Artist. Animation. Painting. Freedom

The first UK retrospective of the work of the Hungarian artist, film-maker and animator displayed hi...

Fox Talbot: Dawn of the Photograph

This exhibition tells the story of the birth of photography, exploring the vision of the Victorian i...

Robert Irwin: All the Rules Will Change

This exhibition looks at work the artist produced from 1958 to 1970, a time when he reconsidered the...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio in south-east London to talk to her about her ...

Stephen Prina: ‘The exhibition was really about considering whether I co...

The post-conceptual artist talks about his hometown, studying with John Baldessari at California Ins...

Ettore Spalletti: Every dawn, is first / Ogni alba, è la prima

His voice is singular, his pieces united in simplicity: painted columnar forms that point to classic...

Ryan Sullivan: ~ / –

For his second exhibition at Sadie Coles, the young American artist eschews canvas and paper, drawin...

Georg Baselitz: Wir fahren aus (We’re off)

This major exhibition, the artists first major solo show at White Cube, includes new large-scale pai...

Martine Syms: ‘I am interested in the idea of the gulf between your live...

The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-...

William Heath Robinson’s Life of Line

With a wit all of his own Heath Robinson captured everything from the sublime to the ridiculous, and...

Gillian Wearing: ‘I don’t have any typical practice. Every project is ...

The artist talks about the ideas behind her latest film project, A Room With Your Views, which bring...

From the Collection: 1960-1969

From a shiny Jaguar E-Type, explosions of colour and a trip through a more muted palette, MoMA has s...

Sara Greenberger Rafferty: ‘What is more essential than how one faces th...

The multimedia artist talks about constructing the self through the language of clothing...

Charles Richardson – interview: ‘There must be some sort of desire in ...

Charles Richardson talks about his current show at Exeter Phoenix, collaborating with local artists,...

Michael Benson: ‘Science is about trying to increase that zone of what w...

Benson fuses art and science to conjure spectacular images from raw data collected by Nasa and ESA. ...

Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...

Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...

Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...

The Russian immigrant artists talk about the difference between art education in the former Soviet U...

Steven Claydon: interview, Art Sheffield 2016

Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...

Mark Fell: interview, Art Sheffield 2016

Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...

Martin Clark: interview, Art Sheffield 2016

Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...

Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm

For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...

François Morellet: ‘Art is frivolous even when it takes itself seriousl...

Two exhibitions by François Morellet, at London’s Mayor Gallery and Annely Juda Fine Art, mark th...