In his new paintings, the rising Iraqi-born artist Mohammed Sami makes ambiguity alluring...
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This fabulous show is dedicated to Mingei, the influential folk-craft movement developed in Japan in...
Wayne Eager – interview: ‘In Central Australia, I was mesmerised by th...
A three-month stay in Central Australia with his partner, the artist Marina Strocchi, turned into a ...
Alex Ely – interview: ‘Ultimately the success of any building is how w...
What is the secret to making buildings that other architects admire and envy, but which are dedicate...
The Glass Heart: Art, Industry & Collaboration
This beguiling exhibition, which spans 170 years, reveals the impressive adaptability of glass in th...
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With a mix of new and old works, Anselm Kiefer draws us into a world where good and evil are blurred...
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Acts of Creation: On Art and Motherhood
With works covering pregnancy, birth and nursing through to caring for older children, as well as mi...
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Saul Leiter: An Unfinished World
This major retrospective celebrates the work of a man whose atmospheric shots of New York street sce...
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Paul Maheke: To be Blindly Hopeful
This show sprang from a journal the artist kept during the Covid lockdowns in 2020-21, a time of int...
Matthew Wong | Vincent van Gogh: Painting as a Last Resort
Matthew Wong’s exuberant dreamscapes and imaginary worlds sprang from many influences, but his aff...
Sharjah March Meeting 2024: Tawashjuat
This year’s edition of the Sharjah Art Foundation’s March meeting focused on collectives, collab...
Martin Boyce – interview: ‘You’re both inside and outside. There’s...
Martin Boyce’s show at Fruitmarket, Edinburgh, offers three distinctive, in-between spaces for exp...
Hanna Bekker vom Rath: A Rebel for Modern Art
This richly documented show does justice to the feisty Hanna Bekker vom Rath, a German art collector...
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Infinite Variety: Harold Cohen and Cybernetics in the 1960s
On the occasion of a show of Harold Cohen’s work at Gazelli Art House in London, we consider the p...
Through his sensitive and thoughtful works, Issam Kourbaj ensures the plight of those in his native ...
The English eccentric William Blake meets his German peers in a treasure-strewn exhibition that make...
Chronorama: Photographic Treasures of the 20th Century
Highlights from the golden age of photography, produced for fashion magazines Vogue and Vanity Fair,...
Thea Djordjadze: Framing Yours Making Mine
In this comprehensive show, Georgian artist Thea Djordjadze’s spare sculptural works emanate a sen...
Hurvin Anderson, Michael Armitage, Alberta Whittle and other artists from the African diaspora consi...
A post-apocalyptic landscape or an abandoned toolshed? This compact exhibition, by ceramics sculptor...
This show looks at how John Singer Sargent styled his sitters, insisting they wore certain garments ...
Francis Picabia: Women: Works on Paper 1902-1950
A career-spanning exhibition of drawings and watercolours shows the elusive modernist Francis Picabi...
Entangled Pasts, 1768–now: Art, Colonialism and Change
The Royal Academy, founded at the height of the British empire, brings together more than 100 histor...
Barbara Kruger: Thinking of You. I Mean Me. I Mean You
As poetic as it is urgent, Barbara Kruger’s text-based work packs a weighty punch. Her methods of ...
Moon/King: The Work and Friendship of Phillip King and Jeremy Moon – 195...
Phillip King and Jeremy Moon met as students at Cambridge and remained friends until Moon’s death ...
A flurry of museum and gallery exhibitions flags a surge of interest in Korean art. The most compell...
Through paintings, works on paper and projections, this exhibition traces the evolution of AARON, th...
Gayle Chong Kwan – interview: ‘I’ve made a connection between displa...
Gayle Chong Kwan talks about using sand and sugar to make historic and contemporary connections betw...
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Spanning seven decades of Yoko Ono’s groundbreaking work, from the 1950s to now, some done with Jo...
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Leo Robinson – interview: ‘Human beings need meaningful symbols and na...
Leo Robinson, whose exhibition Dream-Bridge-Omniglyph is now at the London Mithraeum, considers his ...
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