Naudline Pierre: This Is Not All There Is

Naudline Pierre draws us into her own uncanny mythical world underpinned by spirituality in a show t...

A World in Common: Contemporary African Photography

Africa’s diverse cultural traditions, the history of modern colonialism and present-day social, po...

Secessions: Klimt, Stuck, Liebermann

At the end of the 19th century a group of artists in Munich, Vienna and Berlin broke away from the t...

AI: Who’s Looking After Me?

This exhibition considers the hottest – and to some most frightening – of hot topics, artificial...

Material Power: Palestinian Embroidery

More than 40 dresses and embroidered objects from Jordan and the West Bank, along with filmed interv...

Erwin Wurm: Trap of the Truth

Houses squashed by bananas, handbags on legs, cartoon-like cars – Erwin Wurm’s sculptures are su...

Lagos, Peckham, Repeat: Pilgrimage to the Lakes

An absorbing group show explores the familial, economic and spiritual connections between the Nigeri...

The Casablanca Art School: Platforms and Patterns for a Postcolonial Avant...

This is the story of how a group of artists experimenting with strikingly modern and colourful abstr...

Jean Cooke: Ungardening

Focusing on paintings of her two beloved but untamed gardens, alongside self-portraits documenting t...

ChiaoHan Chueh: Intimate Play

Seamlessly joining calligraphic and ink painting techniques to the painterly gestures of western bru...

A Little History: Jane Hayes Greenwood

Figurative paintings and sculptural works portray Jane Hayes Greenwood's experiences of pain and los...

Beatriz Milhazes – interview: ‘My big ambition is always to try to do ...

On the occasion of a major survey of her work at Margate’s Turner Contemporary, Brazilian artist B...

Georgia O’Keeffe: Memories of Drawings

This small, touring exhibition gives an incredible insight into the mind of Georgia O’Keeffe, show...

Risham Syed – interview: ‘It’s an inward-looking invitation to conte...

Syed talks about Each Tiny Drop, her intervention in a city park, as part of Manchester Internationa...

Ryan Gander – interview: ‘The stuff outside in the world is way better...

Ryan Gander explains why he is giving away free coins at the Manchester International Festival and h...

Tino Sehgal – interview: ‘It’s an invitation to think about skill an...

Tina Sehgal, the enigmatic and publicity-averse artist, discusses his new work for Manchester Intern...

Dear Earth: Art and Hope in a Time of Crisis

Cornelia Parker, Agnes Denes and Otobong Nkanga are among 15 artists hoping to change our response t...

Leonor Antunes: The Apparent Length of a Floor Area

With her delicate metal nets, homely cork floors and cascading ropes, Leonor Antunes reflects her in...

Alberta Whittle: Create Dangerously

In this immersive show, Barbadian-Scottish artist Alberta Whittle exposes the iniquities of racism a...

Art and Artifice: Fakes from the Collection

If there is one thing great art institutions usually try to avoid, it is fakes. The Courtauld Galler...

George Gittoes – interview: ‘The spirit of art cannot be suppressed by...

Australian artist George Gittoes has been visiting war zones for 50 years and he and his wife travel...

Capturing the Moment: A Journey through Painting and Photography

This exhibition considers the relationship between the two media, from documentary photography of th...

The God That Failed: Louise Bourgeois, Barnett Newman, Mark Rothko

An intriguing exhibition situates Bourgeois’ characterful early sculptures alongside the two incip...

Tom Wood – interview: ‘I started doing portraits of these kids hanging...

For 50 years, Tom Wood has been out on the streets taking intimate, informal, often quirky, photogra...