In the summer of 1986 there burst upon London, virtually unheralded, a major series of paintings, by...
Caravaggio: A Contemporary View by John Berger, Vol 196 No 998 1983.
Once I was asked to name my favourite painter. I hesitated, searching for the least knowing, most tr...
Victor Willing, letter to Studio International, 1980
Opting out of the rat race, Victor Willing had tried 'to make some silence' around himself, and proc...
An interview by Caroline Tisdall (Translated by Caroline Tisdall from an interview held in London on...
Marcel Duchamp's Anémic-Cinéma
Translating the nine linguistic configurations of Marcel Duchamp’s film ANÉMIC-CINÉMA is impossi...
On Purpose: An enquiry into the possible roles of the computer in art
This is not another article about ‘computer art’...
Adolf Loos was not the finest architect of the century. But amongst twentieth-century architects, he...