Kamala Ibrahim Ishag: States of Oneness
Women and plant forms are intertwined among primal patterns and symbolism in Kamala Ibrahim Ishag's ...
Jorge Tacla: Stagings/Escenarios
The 1973 coup in Jorge Tacla’s mother country and the brutal dictatorship of General Pinochet that...
Dindga McCannon – interview: ‘Not having money never stopped me creati...
With a 50-year career as an artist and teacher, Dindga McCannon is widely celebrated in the US’s b...
Anna Freeman Bentley: Make Believe
Anna Freeman Bentley’s sensuous paintings evolved from an informal residency on the set of The Col...
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Royal Museum of Fine Arts Antwerp reopens after €100m renovation
After 11 years of work, the Royal Museum of Fine Arts Antwerp (KMSKA) has finally opened its doors, ...
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As part of the Biennale Arcipelago Mediterraneo, ZACentrale is hosting solo shows by four artists, V...
Marina Abramović: Gates and Portals
Marina Abramović’s new duo of exhibitions in Oxford ought, most aptly, to be titled The Artist is...
The Victorian comic poet Edward Lear is revealed as a fascinating artist in this no-nonsense survey ...
The theme of the 17th Istanbul Biennial is composting, the idea being to seed a multitude of communi...
Drew Edwards: Now You Can See the Universe
Working with flint, a material second only to diamonds in hardness, Drew Edwards carves sculptures t...
Bernar Venet – interview: ‘My dream is not to make big sculpture, but ...
As his solo show opens at Waddington Custot in London, the man dubbed France’s ‘greatest living ...
The Centre Pompidou provides a primer to Gérard Garouste, one of France’s strangest living artist...
All things decay at France’s biggest biennial, an exploration of fragility and resilience that ten...
The brutalities of daily life under apartheid in South Africa are exposed in this major exhibition s...
Winslow Homer: Force of Nature
Despite obvious sympathy for the emancipated black slaves he painted in America’s deep south, the ...
Sturtevant: Dialectic of Distance
On the 55th anniversary of Sturtevant’s radical re-creation of Claes Oldenburg’s The Store, Thad...
Pacing the Void: Rhona Warwick Paterson and Eve Mutso
The wonderment of Paterson’s words and Mutso’s choreography in an amazing atmospheric setting re...
Ian Cheng – interview: ‘What’s the worst possible dad I could be? Ma...
The American artist Ian Cheng explores parenthood and agency in an imagined future that sees humans ...
Jadé Fadojutimi: Can We See the Colour Green Because We Have a Name for I...
In this small but vibrant new body of work, Jadé Fadojutimi ’s fluid and colourful paintings seek...
Marina Perez Simão’s works have great appeal, and her fantastical futurism chimes with an art wor...
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Futuristic feminist propositions read through the work of Wangechi Mutu
The third in a series of four essays that relate visual art and literature; here interlacing the wor...
Haptic Vision: Rosa Lee and Jo Bruton
Inspired by the American Pattern and Decoration Movement, Rosa Lee and Jo Bruton emerged in the 1980...
Permindar Kaur – interview: ‘It’s hard to get a balance in the work:...
Sculptor Permindar Kaur talks to Hettie Judah about her playful use of the domestic realm to explore...
Museu.xyz – interview: ‘All shows in the physical world should also be...
A museum that exists entirely in the metaverse is generating new opportunities for Brazilian artists...
In the Light: Photographic works by James Barnor, Benji Reid, Alexis Peski...
Aware of Africa’s past and confident in its future, four contemporary artists shed fresh light on ...
Henri Matisse’s landmark painting is brought to life, shown with the artworks it portrays for the ...
Melissa McGill – interview: ‘One of my main influences is water’
The multimedia artist reveals how a two-year stay in Venice shaped her career and why water features...
Cooking Sections and Sakiya: In the Eddy of the Stream
Two collectives, one from Scotland and one from Palestine, come together as part of the science cent...
Sascha Wiederhold: Rediscovery of a Forgotten Artist
The great museum of modern German art reintroduces the world to Sascha Wiederhold, chronicler of Wei...
Mariana Castillo Deball – interview: ‘History belongs to everyone’
Mariana Castillo Deball discusses her interest in history and how artefacts and their re-creations a...
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