Studio International – February 1967

Volume 173 Number 886

Contents

58  Comment: A perspective of kinetic art/Jasia Reichardt

60  Statements by kinetic artists. Centre for Advanced Study of Science in Art (Marcello Salvadori and Erica Marx)/Cruz-Diez, Le Pare, Frank Malina, Kenneth Martin, David Medalla, Lev Nusberg, Soto, Jeffrey Steele, Takis, Stephen Willats

65  Origins of kinetic art/George Rickey

72  The luminous trend in kinetic art/Frank Popper

78  Environmental art/Stephen Bann

84  Lygia Clark and spectator participation/Cyril Barrett

90  New shapes of colour. Amsterdam commentary/John Plumb

92  ‘System’ painting. London commentary/Edward Lucie-Smith

95  Millais: the middle line in Pre-Raphaelitism. London commentary/Tim Hilton

98  The symbol lurking in the wings. New York commentary/Dore Ashton 98

102  The paintings of Gianni Emilio Simonetti. Milan commentary/Henry Martin

104  On exhibition: a selection from current and forthcoming exhibitions in the U.K., Paris, Zurich and New York

109  Book reviews/Paul Allen, John H. Field, Alastair Grieve, Angela Lambert

110  Art prices current/George Savage

Editor/Peter Townsend
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (London)

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Austria: Dr Werner Hofmann
Argentina: Jorge Romero Brest
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon-Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic

Studio International, February 1967, Volume 173 Number 886. Cover specially designed for this issue by the Venezuelan kinetic artist Jesus-Raphael Soto. Soto was awarded a prize at the XXXII Venice Biennale in 1964. A statement by him appears on page 60.