Studio International – June 1968

Volume 175 Number 901

Contents

288  When Rauschenberg won the Biennale/Willi Bongard

290  Art and usefulness/Jasia Reichardt

291  Design 12/Simon Nicholson

292  The boy and the painter/Albert Rowe

294  Correspondence

294  News

295  British artists at Venice: 1. The Paintings of Bridget Riley/David Thompson

300  British artists at Venice: 2. Phillip King talks about his sculpture

306  Robot Art: using the rays of the sun/P. K. Hoenich

311  Luminous pictures/John Healey

312  Apropos work in progress/Harold Cohen

314  Greenberg and The Group: a retrospective view – Part 2/Barbara Reise

316  London commentaries/Maurice de Sausmarez, Guy Brett, Norbert Lynton, Barbara Reise, Edward Lucie-Smith, Dennis Duerden

320  New York commentary/Dore Ashton

323  Italian commentary/Daniella Pallazoli

326  On exhibition: a selection from current and forthcoming exhibitions

332  Modern magic at the Tate/Pierre Restany

335  Supplement: Prints and lithographs/contributions by Allen Jones, Jim Dine, Charles Spencer (on Anthony Gross); new issues, directory, prints in the salerooms

Editor/Peter Townsend
Assistant Editor/Charles Harrison
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (Berlin)

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Argentina: Jorge Romero Brest
Austria: Dr Werner Hofmann
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon -Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic

Studio International, June 1968, Volume 175 Number 901. Cover image: The cover, specially designed for this issue by Bridget Riley, is a preliminary study for Chant Ill, a work described in David Thompson's article.