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Published  01/05/1968
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Studio International – May 1968

Studio International – May 1968

Volume 175 Number 900

Contents

236  E.A.T. and after/Jasia Reichardt

238  After art school?/presented by Gordon Richardson and Ted Hawkes

241  Correspondence/Simon Davis, Paolo Patelli, Charles Verey

242  News

243  Sculpture in the open at Bristol/Statements from Garth Evans, Justin Knowles, Ron Robertson-Swann, William Turnbull

248  Paul Wunderlich: a grand dandy/Frank Whitford

252  Some sculptures by Barbara Hepworth

254  Greenberg and The Group: a retrospective view/Barbara Reise

258  Where does the collision happen?/John Latham in conversation with Charles Harrison

262  Air art/Willoughby Sharp

266  Barry Flanagan’s sculpture/Charles Harrison

269  London commentary/Edward Lucie-Smith

272  New York commentary/Dore Ashton

274  Baruchello’s handwriting on the wall/Henry Martin

276  Two sculptures by Robert Morris/Laurent Sauerwein

278  On exhibition: a selection from current and forthcoming exhibitions

284  Art prices current/George Savage

Editor/Peter Townsend
Assistant Editor/Charles Harrison
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (Berlin)

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Argentina: Jorge Romero Brest
Austria: Dr Werner Hofmann
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon -Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic



Studio International, May 1968, Volume 175 Number 900. Cover image: Cover specially designed for this issue by John Plumb.

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The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

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