Zhao Zhao: ‘You cannot separate art from politics’
A prominent member of the post-1980s generation of Chinese artists and a former assistant of Ai Wewe...
Karin Schneider: Situational Diagram
Restricting herself to the abstract and the monochrome, referencing Ad Reinhardt, Mark Rothko and Ba...
This is Johnson at his best. Mirrors, branded wood, black soap, shea butter, cut-up photography – ...
Elpida Hadzi-Vasileva: ‘I am driven by making the impossible possible’
The artist, who makes beautiful works of art using waste products from the meat industry talks about...
From yeti expeditions to spy shenanigans, the Himalayan hotel in Kalimpong has seen it all. Now, a n...
Surreal Encounters Collecting the Marvellous
A fantastic range of Surrealist works and ephemera displayed in this exhibition shows the mutifacete...
An enlightening and enriching insight into the juvenilia of the controversial photographer, showing ...
James Richards: Requests and Antisongs
Sensory stimulation is privileged over semantics in this tripartite installation of new works by the...
Karen Guthrie: ‘Family history is a hidden pain with lots of people. A f...
Karen Guthrie: ‘Family history is a hidden pain with lots of people. A film can bring those things...
Meet the designers doing good this autumn in London
More than 400 events and installations from high-profile designers and rising stars were included in...
Dialogue with Trees: Five Stories of Rebirth and Renewal
To celebrate its 90th birthday, the Tokyo Metropolitan Art Museum is staging an exhibition of works ...
Combining elements of Christian iconography and ritual with artefacts from North African and orienta...
This remarkable show offers six of the South African artist’s most potent installations – and si...
In the still eye of the swirl of the happening art that opens Manhattan’s autumn season stands a s...
The EY Exhibition: Wifredo Lam
He fought in the Spanish civil war, was exiled from France by the Nazis and returned to his native C...
Douglas Kotwall: ‘We want to incubate young, contemporary Chinese artist...
Kotwall, a senior member of the K11 Art Foundation, talks about the ethos and goals of the organisat...
Guan Xiao: ‘I am learning about humour. It is a precious quality’
The artist talks about how the digital revolution has influenced her work, the roles of text and hum...
Nan Goldin: The Ballad of Sexual Dependency
The record, begun in the 1970s, of a 15-year period in Goldin’s life, is grounded in a specific pl...
This retrospective exhibition displays Cain’s huge, forensic paintings of cars, strangely truncate...
Amy Franceschini: ‘It’s kind of simple: I want to be alive and I want ...
The artist talks about her upbringing in the breadbasket of America, and how this taught her about t...
Sean Scully: ‘The stripe can do anything in any direction, and since it ...
Abstract artist Sean Scully talks about why he changed his style so radically in the 1980s, the infl...
Conrad Shawcross: ‘It’s created a skin for the surface of this buildin...
The artist explains his use of the moiré effect in designing an optical cloak for a tall industrial...
Jess Johnson: ‘My work is a visual stew’
The fantastical world of Jess Johnson has arrived in Edinburgh, in the artist’s first solo exhibit...
Clare Jarrett: ‘It’s almost as though the work is already there somewh...
The Norwich-based artist talks about her recent residency at the Barbershop in Norwich, and her prac...
Cyril de Commarque: ‘I believe in a new renaissance of thinking’
The French artist has converted a grain barge into an artwork to sail the Thames, blasting out a sou...
Forest of Expression: Art as a Communal Act
Eight projects explore how art and expressing ideas and emotions can help those on the fringes of so...
History Machines by Donovan & Siegel
Toronto-based artist couple Matt Donavan and Hallie Siegel explore the history of changes in communi...
Jeffrey Gibson: ‘I was so angry I washed my canvases in the laundromat’
The artist talks about being any angry young artist, his earlier determination not to be viewed as a...
Mårten Lange: ‘I wanted to make a story about something beyond the reac...
The photographer talks about his lifelong fascination with prehistory and his latest photobook, Chic...
Paul Carter: ‘There’s an invitation that only takes you so far’
Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...
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