Li Huasheng: ‘A line is nothing. When I paint a vase, its outline does n...
The Chinese artist is admired for his abstract ink paintings. Here, he explains how a visit to the U...
Megan Rooney – interview: ‘My mother taught me how to be a maker’
The artist talks about working with clay, birdseed, lipstick and papier-mache and about excess, drau...
The Ars Electronica Festival 2016: Radical Atoms and the Alchemists of our...
This year’s festival includes more than 30 exhibitions, around 20 concerts and visual art and soun...
Judith Wechsler: ‘Film allows, even invites, inclusivity of media. It’...
The American film-maker and art historian discusses her remarkable body of documentaries on art, inc...
Regine Bartsch: ‘I’m drawn to these places where many people have live...
In her studio in southern Ireland, the German-born artist spoke about her recent exhibition and resi...
Noble Prospects: Capability Brown and the Yorkshire Landscape
To mark the 300th anniversary of the birth of the great 18th-century landscape gardener, this exhibi...
Katie Schwab: ‘I like the idea that works can begin to generate their ow...
Keen to learn traditional, craft-based skills, the artist explains why she is drawn to processes whe...
SFMOMA’s extension: a new visual vocabulary
With Snøhetta’s new building now open, SFMOMA has more exhibition space than Manhattan’s MoMA, ...
Xu Yong – interview: ‘Negatives act as witness’
Twenty-five years after Tiananmen Square, the Beijing-based photographer Xu Yong took the brave deci...
Once every three years, the islands of Japan’s Seto Inland Sea are transformed by an influx of art...
Even with its harrowing subject matter, Edward Kienholz’s controversial civil rights work deserves...
Disaffected by the politics of Thatcherism and an art world overtaken by masculine neo-expressionism...
-II-300.jpg)
Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...
In his converted home and studio in east London, surrounded by dogs, myriad staff, an exquisitely ke...
Paula Modersohn-Becker: An Intensely Artistic Eye
Following the artist’s progress from a small German artists’ community to the bright lights of P...
A pulse of eroticism runs through this collection of Sinsel’s new work, as he teases the distincti...
The world is yours, as well as ours
This exhibition takes the visitor on a whirlwind tour of some of China’s most recent abstract work...
Dana Schutz: ‘I think of the viewer as the painter’
The artist talks about deciding to become a painter when she was 14, how Alice Neel and the Velvet U...
This retrospective looks at the work of a group of performance artists from St Petersburg in the lat...
-Al-1,-2015,-Courtesy-the-artist-and-BlainSouthern,-Photo-Peter-Mallet-300.jpg)
Michael Joo: ‘I was taken by the fact that there was a space that was in...
The New York-based conceptual artist Michael Joo talks about growing up among scientists, what drew ...
9th Berlin Biennale for Contemporary Art (BB9): The Present in Drag
Mixing physical locations with digital content, The Present in Drag is a brilliant parody that build...
Tainted by the myth of erotic undertones, O’Keeffe’s work is shown by this long overdue retrospe...
Kate Whiteford: ‘By confronting simple questions, bigger ones emerge. Th...
The artist talks about her new work, now on show at the Mercer Art Gallery in Harrogate, looking at ...
Alice Channer: ‘The area in between the subject and the object is the ar...
The artist, who used everything from cigarette ash to microbeads to create her work, talks about cyb...
Celebrating moving image from the 1960s to the present day, this exhibition explores experimentation...
The new pavilion for the Musée National des Beaux-Arts du Québec is a glorious building that nearl...
The focus of this exhibition, with work by canonical American and European artists, is less on the a...
Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...
Carlo Carrà: Metaphysical Spaces
The works presented here show some of Carrà’s key metaphysical works, charting his jettisoning of...
Knights was a prodigious talent, yet she has been virtually ignored for the past half a century. Now...
Venice Architecture Biennale 2016: Reporting from the Front
From the poster image for this six-month-long event to the immersive installations of exquisitely re...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|