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Kelly Richardson: The Weather Makers
The barren, dystopian landscapes of Kelly Richardson’s audiovisual installations are hypnotically ...
Reflections: Van Eyck and the Pre-Raphaelites
This wishy-washy exhibition is a lesson in tenuous connections...
Yuri Pattison: context, collapse
In the first exhibition at mother’s tankstation project’s new London gallery, Yuri Pattison’s ...
Julie Montgarrett: ‘I have always gravitated to the seductive character ...
Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...
In his filmic and photographic portraits of architect Moshe Safdie’s abandoned 1968 housing projec...
Soutine’s Portraits: Cooks, Waiters and Bellboys
Chaïm Soutine, who inspired many of the 20th century’s greatest painters, brought the strange and...
Remaining committed to the Bauhaus ideals of uniting art and design as one field of form-production,...
Art and China after 1989: Theater of the World
The curatorial mission, to showcase the influence on artists and their practice of two distinct mome...
Matthias Dörfelt: There are not many people using code and technology as ...
The Los Angeles-based German digital artist talks about computer programs, his interest in bitcoin, ...
Jasper Johns: ‘Something Resembling Truth’
The first comprehensive exhibition of Jasper Johns to be held in the UK in the past 40 years looks b...
Russian Revolution: A Contested Legacy
The exhibition is unique as a form of intergenerational and intercultural dialogue. It brings togeth...
Alex Katz: ‘Ultimately, content is not important. The style is what is i...
As his student subway drawings go on show alongside recent paintings and sculptures at Timothy Taylo...
Pavel Brăila: 'Roots are the most important thing that we have’
After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second...
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Monica Bonvicini: 3612,54 M³ VS 0,05 M³
In her latest exhibition, the rather unwieldy title of which refers to the volume of space in the ga...
Philadelphia’s most illustrious thoroughfare celebrated its 100th anniversary with a spectacular a...
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Rachel Whiteread Retrospective
In the most substantial survey of Rachel Whiteread’s work to date, the Tate looks back over 30 yea...
Reflections on the horrors of one of Syria’s most famous prisons have driven Idris Khan to new for...
Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...
In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...
An ambitious Expo Chicago showed positive signs of a refined personality, an adventurous pioneering ...
Louise Bourgeois: An Unfolding Portrait
MoMA’s expertly curated exhibition of Bourgeois’ prints rescue the artist from her legend, revea...
In her current exhibition at Blenheim Palace, Holzer responds to the building’s military history w...
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Jake and Dinos Chapman: The Disasters of Everyday Life
Among the casts of suicide vests, it is the Chapman brothers’ reworked etchings of Goya that hold ...
Zach Blas searches for a future beyond the internet’s catch-all web at the artist’s Gasworks exh...
This exhibition is a lively collection of works from a group of impressive and challenging artists, ...
This retrospective is nicely paced to reflect the breadth and depth in Martin Puryear’s sculptures...
Delirious: Art at the Limits of Reason 1950-1980
At the risk of exposing the theme show as a curatorial conceit, this selection of work produced in t...
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Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...
Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...
Mixing familiar Schütte tropes with new ones, the great German sculptor’s first London show in fi...
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Portrait of the Artist: Käthe Kollwitz
Celebrated in her native Germany, Käthe Kollwitz, born 150 years ago this year, is sadly little kno...
John Hoyland: Stain Paintings 1964–1966
This, the first New York exhibition of John Hoyland’s work in 25 years, brings together seven of h...
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