Jawlensky’s art may be considered a life-long meditation on the process of change in his personal ...
With the lightest of touches, artist Do Ho Suh can transform the architectural into a symbol of the ...
Michael Andrews: Earth Air Water
Best known for his party scenes, Michael Andrews’ later landscapes reveal him as a master of persp...
Revolution: Russian Art 1917-1932
The fascinating and expansive exhibition provides an intriguing and rare insight into the dialogue b...
Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...
The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...
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Gluck and Modern British Women
During her lifetime, Hannah Gluckstein (Gluck) refused to show in group exhibitions. The Fine Art So...
From the world’s deepest underground marble quarry to a fragment of pink marble from Trump Towers,...
Tara Donovan: ‘I’m interested in exploring the moment where the condit...
The artist explains that, although her latest work, Compositions (Cards), may seem very different fr...
The house and its potential as a home, a prison, a marker in one’s life, is fertile territory and ...
The 1980s were a fertile time for black British artists to interrogate their experience of racial di...
Celebrating 60 years of Hockney’s work, this exhibition charts the art of a modern great through d...
While Vanessa Bell stands strong as an artist in her own right, her art can nevertheless not be sepa...
![Yuko Mohri talking to Studio International before the opening of her exhibition Moré Moré [Leaky] at White Rainbow gallery, London, February 2017. Photograph: Martin Kennedy.](/images/articles/m/mohri-yuko-2017/smallpix/yuko-mohri-watch-640-300.jpg)
Yuko Mohri: 'I’m very curious about organic ecosystems'
Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and ex...
Vera Möller: ‘My father thought going to art school was like wanting to...
The German-born artist explains why she first studied biology rather than art, how her scientific ba...
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In her first solo UK exhibition, French-Moroccan artist Bouchra Khalili explores the fraught concept...
Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...
The artist talks about his commitment to art in public spaces, describes how the Gramsci Monument in...
A Revolutionary Impulse: The Rise of the Russian Avant-Garde
This exhibition of Russian art from the 1920s and 30s, based on MoMA’s own collection, is a hearte...
Three exhibitions of conceptual art in Germany shed some light on the elusive genre. Taryn Simon’s...
Sussex Modernism: Retreat and Rebellion
Unravelling some of the interwoven and incestuous tales relating to the 20th-century modernist prota...
Laura Oldfield Ford: ‘I map ruptures, such as the London riots’
Oldfield Ford spends a lot of time walking through the capital’s streets and, from the fanzine she...
Candida Powell-Williams: ‘Each object becomes more than just the narrati...
The artist shows us round her immersive installation, exploring the fetishism of anthropological obj...
Richard Wilson: Stealing Space
‘I’m just making the unknown real,’ says Wilson, about his new exhibition, Stealing Space at A...
John Baldessari: Miró and Life in General
As he continues his late-career conversation with art history, the archetypical Californian conceptu...
TeamLab: Transcending Boundaries
If there were a happiness index for exhibitions, then teamLab: Transcending Boundaries would score a...
Mai-Thu Perret: ‘I had this urge to portray these female warriors’
The multi-disciplinary artist talks about her continuing fictional narrative The Crystal Frontier, h...
Jamie Crewe: Female Executioner
Seeking ancestry in a controversial and pornographic 19th-century French novel, this queer, transfem...
Linda Stupart: ‘I’m interested in thinking about a world without men’
The writer, sculptor and performance artist talks about the power of crystals, witchcraft and using ...
David Brian Smith: ‘My cause is to fight for the plight of the English c...
The painter’s pop-coloured vision of the English countryside belies a sad truth, but as Smith demo...
The Zabludowicz Collection sets the stage for a shrewd reflection on the real versus the created sel...
Sheida Soleimani: ‘Does someone really want to buy an image of an execut...
Surrounded by her neon memorials to women killed in Iran, Soleimani discusses the state-sanctioned m...
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