Terrains of the Body: Photography from the National Museum of Women in the...

Building on the legacy of feminist art from the 1970s, this exhibition includes photographic and vid...

Ed Webb-Ingall: ‘I am a product of lesbian history and a child of sectio...

The video-maker talks about working with communities, his current work, We Have Rather Been Invaded,...

Rezi van Lankveld: ‘I pour paint to make a “happening” in the painti...

The Dutch painter explains how her attitude to painting has changed and talks about her recent paint...

The Studio and the Arts and Crafts Movement

This article was first published in High Art and Low Life: The Studio and the fin de siécle, ...

Sergei Eisenstein: Drawings, 1931-1948

Known as a film-maker, Eisenstein also excelled at drawing. This exhibition presents a rare collecti...

Yves Klein

The alchemical French artist’s first UK retrospective in two decades reaffirms the cosmic wonder o...

Bonnard: En toute intimité

This is an exhibition focusing on intimacy, which conjures just that in its thorough, yet tender, ex...

Titus Kaphar: ‘My subconscious mind had created a fiction that masquerad...

For his current exhibition at Jack Shainman Gallery in New York, Titus Kaphar looks to historical po...

Aki Sasamoto: ‘I enjoy how much I can push meaning with the wrong answer...

New York-based performance artist Aki Sasamoto has a tendency to speak entirely in metaphor, sit in ...

Maria Nepomuceno: ‘I want to create a place where people can be suspende...

Brazilian artist Maria Nepomuceno talks about her fascination with hammocks, her novel way of amalga...

Manifesto (by Julian Rosefeldt with Cate Blanchett)

This superb cinematic production, in which Cate Blanchett brilliantly conjures 13 varying personas, ...

Hedy Ritterman: ‘My motivation was to confront mortality, identity and l...

Ritterman talks about how her current exhibition, which includes more than 700 of her late husband...

Gerasimos Floratos: Big Town

Gerasimos Floratos’s expressive paintings combine shapes and colour from his daily life in New Yor...

Hugo McCloud: ‘I respect the beauty in the things that are overlooked’

The emerging artist Hugo McCloud, whose layered abstract paintings concentrate on process and materi...

Carl Andre: Sculpture As Place, 1958-2010

This tribute to the 20th-century US artist includes sculptures, poems, photographs and works on pape...

Caragh Thuring: ‘It’s a sort of standoff – how am I going to deal wi...

The Brussels-born artist discusses reconstructing old paintings as tapestries to create new work, wh...

Mette Edvardsen: ‘If forgetting is important, then so is remembering’

The dancer, choreographer and performer talks about memorising books and then retelling them, and ex...

Kerry James Marshall: Mastry

Taking over two floors of the Met Breuer, this stunning career retrospective insinuates the African ...

Painters’ Painters

There is a quiet revolution happening in paint. But, paradoxically, Painters’ Painters seems out t...

Kong Ning: ‘Being a witness mentally scarred me’

Multidisciplinary artist and environmental activist Kong Ning is based in Beijing. Born in Heilongji...

Paul de Monchaux: Ten Columns

In only his second solo show, the 82-year-old artist explores the potential of the column as a site ...

Peggy Franck: With no hands. Like a sea

For her first exhibition at Arcade gallery in London, Peggy Franck has installed her paintings, phot...

Bloomberg New Contemporaries 2016

Since 1949 New Contemporaries has hand-picked graduate and emerging artists to present them to the p...

George Ridgway: interview

George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and i...