Brit Insurance Design of the Year 2010. Rock Stars, Politics and Ingenious...
This is the third year of the Design Museum...
Since emerging from Goldsmiths at the beginning of the last major recession, Michael Landy has pursu...
Book review: Ben Johnson. Foster in View
This volume is a rare compendium and covers primarily the growing success of the painter Ben Johnson...
Book review: Passion City: STraum a. Landscape Architecture
The authors of this book are the landscape design practice STraum a. based in Berlin. Kristin Feirei...
Book review: Maker of Dreams, the Mother of them All. Madeleine Vionnet, ...
Since the 1939 closing of her maison, Vionnet has been eclipsed in fashion histories by more colourf...
Beth Fisher: Grisaille Legacy at The Royal Scottish Academy this January is an exhibition of monumen...
A Human Museum Without Walls. Bigger, Better, More: The Art of Viola Frey
Now at its third stop, the Museum of Arts and Design (MAD) in New York City, the multi-city exhibit ...
Andrzej Jackowski: The Remembered Present
Andrzej Jackowski is known for his poetic reveries of dispossession, epic scenes of trees floating a...
Crazy God. Photographs by Yvonne De Rosa
A psychiatric hospital in Southern Italy is the subject matter of Yvonne De Rosa...
Less and More – The Design Ethos of Dieter Rams
The exhibition, Less and More - The Design Ethos of Dieter Rams, at the Design Museum in London is t...
Drawn Together is a London-based group of artists (Maryclare Foá, Jane Grisewood, Birgitta Hosea, C...
Inscription: drawing, making, thinking
Inscription: drawing, making, thinking is the fourth of Jerwood...
Conceptual drawing: recent work by Bernhard Sachs, Mike Parr, Greg Creek a...
In a global context drawing exists irrespective of cultural identity. It is a basic human instinct t...
Hitting a Wall, Finding a Shape: An interview with Gary Hill
Using a curious Internet nickname that plays with a literary reference used in his work, pioneering ...
Gary Hill: Poetics Beyond the Third Dimension
If a word is worth 0.001 pictures, as stated at the entrance of American artist Gary Hill...
A New Look for a New World. Art Deco Complete: The Definitive Guide to the...
After turning the final page in Art Nouveau and Art Deco authority Alastair Duncan's weighty guide t...
GSK Contemporary, Earth: Art of a changing world
The Royal Academy in London, joining with sponsors GlaxoSmithKline, opened this new exhibition on 3 ...
Paul Sandby: Picturing Britain. National Gallery of Scotland, 2009
Paul Sandby (1731–1809) occupies a prominent position in British art of the 18th century in the pr...
Eva Hesse: Studiowork. Camden Arts Centre, London 2009
Currently showing at the Camden Arts Centre are a number of experimental objects or works-in-progres...
Pop Life: Art in a Material World, Tate Modern, London 2009
‘What make[s] you rich, we have been taught by a decade of casino capitalism, is precisely the opp...
Book review: Dangerous Women: The Perils of Muses and Femmes Fatales
Dangerous Women: The Perils of Muses and Femmes Fatales by Laure Adler and...
The Sacred Made Real, National Gallery, London
Spanish art of the mid-17th century achieved a level of naturalism, which in some respects was quite...
A global recession and faltering art market did not make 2009 a great year to wriggle free of the ar...
Sophie Calle: Talking to Strangers
The linguistic games of Take Care of Yourself, a highlight of the Venice Biennale in 2007 are now th...
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Lucy Stein: Creemie Myopic Fables/Group Show: Purpling
In her third exhibition at Gimpel Fils, Lucy Stein’s ‘Creemie Myopic Fables’ challenges the pe...
Frozen smiles, melting hearts: Frieze Art Fair 2009 America: New Painting...
In his seminal essay...
The Unilever Series: Miroslaw Balka, ‘How it is’
Miroslaw Balka has created an environment, a work using light-absorbing material across the walls of...
Book review: Art and Text; Poor. Old. Tired. Horse
The tradition whereby literary works are recited rather than read in silence can be traced to the ba...
Aida Tomescu: Paintings and Drawings
If anything, painting is life. It is one of the very few pure things in life. It has an existence in...
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