Starred restaurant. Royal Academy of Arts, London
And now, from 19th January 2011, the redesigned 150 cover restaurant, the sixth in Oliver Peyton...
John Makepeace: Enriching the Language of Furniture
The exhibition, John Makepeace: Enriching the Language of Furniture, at the Collins Gallery in Glasg...
10 Dialogues: Richard Demarco, Scotland And The European Avant Garde
10 Dialogues presents the innovative work of Richard Demarco from the late 1960s to the present day,...
Cream Rising to the Top. 100 Dresses by The Costume Institute/The Metropol...
In his preface to this collaboration between the Met and Yale University Press, Met Costume Institut...
Book review: Unconcealed: The International Network of Conceptual Artists ...
In January 1967 Sol LeWitt, then an artist just starting to make his presence felt in Europe, wrote ...
Time travel through human mindset. Hiroshi Sugimoto | ORIGINS OF ART
Running over one year at Marugame Genichiro-Inokuma Museum of Contemporary Art in Japan, Hiroshi Sug...
Artists’ Laboratory 02: Stephen Farthing RA – interview
The Artists' Laboratory 02: Stephen Farthing RA is the second in the programme of exhibitions at the...
Picturing Paradox. The Sound of One Hand: Paintings and Calligraphy by Zen...
Zen is an exacting practice, typically requiring years spent seeking a state that, ultimately, is re...
The work of Chinese artist Guan Wei is an important comment on contemporary global culture. Born in ...
The death of poet Peter Porter in London in April this year prompted the superlative accolades he de...
Paul Gauguin shaped a mythology that lasted; a persona deliberately crafted yet wildly varied. The f...
Helen Frankenthaler: Paper is Painting
Helen Frankenthaler: Paper is Painting, at Bernard Jacobson Gallery, London is one of three exhibiti...
Are You A Lolita? Japan Fashion Now
From avant-garde bag ladies and Asian Ivy-Leaguers to folksy Forest Girls and fashion-eating Lolitas...
Having attended the Monet exhibition at the Grand Palais on a regular morning like any other paying ...
The most celebrated of Mies van der Rohe’s aphorisms was Less is More and just how this principle ...
Professor Richard Gregory, 1923
Professor Richard Gregory, who died on 17 May, was without doubt the foremost scientist of his gener...
Impressionist Gardens. National Gallery Complex, Edinburgh, 2010
We review this outstanding exhibition, which moves on to Madrid imminently, able to report that visi...
Eadweard Muybridge: Shaping and Shifting Our Point of View
Eadweard Muybridge’s photographic practice is so familiar to us; it is easy to forget he began his...
Barbara Kruger Site Specific Installation
Caught in the back and forth flow of the gaze. “… the AGO has commissioned renowned American art...
How the Master Became the Master
Matisse: Radical Invention, 1913–1917 is the kind of show the Museum of Modern Art (MoMA) does bes...
In this exhibition of monochrome images Canadian Photographer Nance Ackerman turns the clich...
Darren Almond: The Principle of Moments
Darren Almond, in his exhibition at the White Cube Gallery, shares a fascination with the geography ...
Rose Wylie (b1934), was this year’s UK finalist in Women to Watch, 2010, a biennial exhibition fea...
After 17 years of statehood Israel at last boasts a national museum. When one compares nearby countr...
Hipsters, Hustlers, and Handball Players: Leon Levinstein's New York Photo...
Leon Levinstein (1910–1988) is renowned for the casual, black and white shots of his adopted city,...
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