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Jonn Herschend: ‘We can use humour seriously in art to push agendas forw...

Film-maker and experimental publisher Jonn Herschend explains why Don Quixote has been such a major ...

Lydia Gifford: ‘I’m learning how to let go. At times it feels like som...

The British artist says her work is a continually generating material mass that is more about trying...

Defining Beauty: The Body in Ancient Greek Art

The ancient Greeks are held up as the epitome of reason and measured beauty. But, as the British Mus...

NS Harsha: ‘I am like a cook. I love to make a dish, offer it to the peo...

The Indian artist NS Harsha on how his latest paintings embody the notion of ascent, an idea he says...

Frances Walker: ‘For me, art is all about being able to communicate with...

The Scottish painter Frances Walker, now in her 80s, talks about her time as an art teacher, her fas...

Penny Slinger: ‘Being different is just who you are. What you do with it...

Penny Slinger on how Tantric art changed her life, dealing with sexual identity in art, using her bo...

Making It: Sculpture in Britain 1977-1986

Studio International spoke to co-curator, Jon Wood, from the Henry Moore Institute, and Jill Constan...

Tina Keane: ‘With film, you never quite know what you’re going to get...

Multimedia artist Tina Keane talks about her early work, the influences that have developed her prac...

The Plains Indians: Artists of Earth and Sky

This exhibition of the art of the Plains Indians reminds us about the native US population’s story...

Anita Witek: ‘I am opening up a gap between image and reality’

As she was installing her first UK solo exhibition, How to work live better, Austrian artist Anita W...

Diana Thater: ‘When someone walks in, they are part of the work. They’...

US new media artist Diana Thater explains what drew her to the subject of her latest work, the monke...

Allora & Calzadilla: Intervals

In this exhibition of new and recent projects, Jennifer Allora and Guillermo Calzadilla explore the ...

Selective Memories

Paris comes to west London as the Griffin Gallery hosts an exhibition of works by the students of l...

Marvin Gaye Chetwynd: 'But is it art? I don’t even care'

Performance artist and Turner-prize nominee Marvin Gaye Chetwynd explains why she turned her attenti...

Iman Issa, Lexicon

In her latest exhibition at the Rodeo Gallery, London, Cairo-born artist Iman Issa takes existing ar...

Daniel Zolli: ‘Competition was in the air these sculptors breathed. It c...

As the Museum of Biblical Art hosts this momentous exhibition of renaissance masterpieces, co-curato...

Paul Chan: ‘Times have changed, and I have changed, and I wanted somethi...

Paul Chan is a versatile artist and writer, working in video, installation, publishing and the inter...

Alexander McQueen: Savage Beauty

Fashion it may be, in that every item in this Alexander McQueen retrospective is for wearing, but ar...

Five Issues of Studio International at Raven Row

Studio international visited Raven Row in East London to talk to writer and curator Jo Melvin about ...

Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market

Full of impressionist masterpieces, this exhibition looks at how art dealer Paul Durand-Ruel struggl...

Hadieh Shafie: ‘I take things from my culture and marry them to my weste...

Hadieh Shafie makes transformative objects that hover between painting and sculpture, integrating he...

Florian and Michael Quistrebert: Visions of Void

This beautifully drafted exhibition by the Quistrebert brothers is focused, enthralling and atmosphe...

Jason Rhoades, Four Roads

From smoke machines to salmon roe, Jason Rhoades’s art of the bizarre and the ‘gleefully vulgar...

David Best: ‘My favourite material is people’

Known for the temples he builds for the Burning Man event in Nevada, David Best has this year brough...

Staging the Ukrainian Avant-Garde of the 1910s and 1920s

A beautiful exhibition of the Ukrainian avant garde’s theatre design from the 1910s and 20s is est...

Ken Kiff: The Hill of Dreams

In the Hill of Dreams, which includes encaustic paintings, monotypes, lithographs, etchings, woodcut...

Painting Now

Book review, Painting Now, Suzanne Hudson Painting Now Painting Now is a survey of contemporar...

Marisa Williamson: ‘I want to make history alive in people’s worlds’

The performance artist talks about leaving Los Angeles to start a course at the Whitney Museum in Ne...

Goya: The Witches and Old Women Album

Nightmarish visions and demonic passions fill the pages of Goya’s late drawings. But as this exhib...

The Sultan’s World: The Ottoman Orient in Renaissance Art

East meets west in this dazzling show, which focuses on the attraction the Ottoman empire held for w...

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