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Published  30/11/-0001
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Gretchen Bender

In a mesmerising and disquieting exhibition, Tate Liverpool showcases the prophetic work of video ar...

Allen Jones

Risking the wrath of many, London’s Royal Academy of Arts is playing host to a long-overdue themat...

Roxy Paine interview: ‘The best ideas come out of long gestation’

Roxy Paine’s Checkpoint is the latest of his meticulously crafted dioramas. He talks about how he ...

Adeline de Monseignat: interview

Dutch-Monagesque artist Adeline de Monseignat’s work is greatly influenced by Sigmund Freud’s co...

From the Forest to the Sea: Emily Carr in British Columbia

Canadian artist Emily Carr, born near the end of the 19th century, recorded the relics and landscape...

Marni Kotak interview: ‘I wanted to have my son’s birth as a performan...

US artist Marni Kotak talks about her performance of everyday events in real life as way to raise aw...

E.V. Day interview: ‘I stiffened 200 thongs to look like jet fighters an...

Best-known for her 3D installations, artist EV Day talks about using Barbie dolls, ripped clothing, ...

Agathe Sorel: studio tour

Agathe Sorel talks to Studio International about the work in her retrospective exhibition at the Stu...

Hayal Pozanti interview: ‘Materials and processes are pushing the bounda...

New York-based painter Hayal Pozanti talks about her invented alphabet, working with digital media, ...

Fabrizio Poltronieri: Iconic Theogonies – The presentation of Computatio...

The 20 prints in this show are a product of pure chance, says Fabrizio Poltronieri, who as both arti...

Christian Thompson interview: ‘My work does not need to be read through ...

Christian Andrew William Bumbarra Thompson (born 1978) belongs to the Bidjara Indigenous people of c...

Frieze London 2014

The 12th edition of Frieze London brought many changes. Yet while curators and exhibitors took creat...

Ethereal

This exhibition of contemporary art from South Asia displays an impressive range of materials and st...

Piotr Uklański interview: ‘I think of death all the time’

The New York-based Polish artist Piotr Uklański talks about the influence of the second world war o...

Age of Wonderland

One of the highlights of this year’s Dutch Design Week was Age of Wonderland, in which young artis...

Anselm Kiefer

Anselm Kiefer, who was born in Germany in 1945, studied law before beginning his art education in Ka...

What Marcel Duchamp Taught Me

One hundred years after Marcel Duchamp produced his first readymade, more than 50 artists, including...

Egon Schiele: The Radical Nude

Egon Schiele’s controversial drawings, which peel back Vienna’s bourgeois façade to reveal a wo...

Cut to Swipe

With works from the 1980s to the present that appropriate, and sometimes manipulate, images and soun...

VS Gaitonde: Painting as Process, Painting as Life

The works of the modernist Indian painter VS Gaitonde bring us to the world of abstraction, demonstr...

Nathaniel Prottas interview: ‘Often museum didactics get in the way of p...

Nathaniel Prottas, director of education at the Museum of Biblical Art in New York, talks about publ...

Steve McQueen: Ashes

With his film Ashes, and an accompanying pair of sculptures, Steve McQueen highlights an uncomfortab...

Rembrandt: The Late Works

This winter’s blockbuster exhibition at the National Gallery examines Rembrandt’s expressive and...

Memling. A Flemish Renaissance

For the first time, a Flemish Primitive shines in the capital of the Italian peninsula, as the Scude...

Michelle Grabner interview: ‘My family is an important part of my life a...

American conceptual artist Michelle Grabner talks about how she combines her roles as artist, curato...

5 x 5 (2014)

Washington DC is hosting its second 5 x 5, a public arts festival that sees an extraordinary diversi...

Trajectories: 19th-21st Century Printmaking from India and Pakistan

Trajectories looks at printmaking from India and Pakistan and establishes a context for its developm...

The Nakeds

Egon Schiele’s iconic drawings are a starting point for this extensive group show at Drawing Room,...

Carsten Höller: LEBEN

Carsten Höller’s show Leben allows visitors to do more than just view the exhibits. From staying ...

John Keane interview: ‘Art shouldn’t be sensationalist, but at the sam...

John Keane, artist in residence at the University of St Andrews, talks about the political influence...

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