Toyin Odutola: ‘I’m no longer interested in portraying what I think I ...
Toyin Odutola talks about why she loves pen and ink, where she gets the inspiration for her titles, ...
The newly finished Gilbert and Ildiko Butler Drawings Gallery showcases the incredible breadth of th...
Frederick Wiseman: ‘National Gallery shows more about the ambivalence, d...
The American film-maker Frederick Wiseman talks about his latest documentary, a portrait of the Nati...
David Altmejd: ‘I believe in the power that art has to generate meaning...
Canadian artist David Altmejd, known for his fantastical sculptures and installations, discusses his...
Australian sculptor Ron Mueck’s touring show has now been seen by more than a million visitors. Wh...
Adventures of the Black Square: Abstract Art and Society 1915 – 2015
To measure the imprint that a century of abstract art has left on society, culture and politics, Adv...
Saba Qizilbash: ‘I always attempt to speak from personal eye level’
The Pakistani-born artist says much of her works have been in response to stages in her personal lif...
Basim Magdy reveals a world of colour in his films and photographs. The critically acclaimed Egyptia...
Lynn Hershman Leeson: ‘I’ve always been interested in the exchange bet...
The US artist Lynn Hershman Leeson, known for her performance art and film-making, talks about her l...
Lynn Hershman Leeson: Civic Radar
A dedicated feminist who came of age in the tumult of the 1960s, Lynn Hershman Leeson was born in 19...
Trish Wylie interview: ‘Wylie provides a hotline to the gods of the silv...
Studio International has come to north west London to visit the painter Trish Wylie in her studio....
Serge Poliakoff: Silent Paintings
Through his devoted exploration of abstraction, Russian modernist Serge Poliakoff not only establish...
Thomas Allen: ‘I want my cave to offer an escape’
Thomas Allen talks about his background in sociology, how his latest work relies on the scribbles of...
Gail Pickering: ‘I was interested in the histories of community video pr...
The London-based artist Gail Pickering talks about her recent major exhibition at Baltic Centre for ...
Valerie Hird – interview: ‘Drawings are documents of honest and wonder...
US artist Valerie Hird studied archaeological illustration and then painting before becoming a compu...
William S Burroughs: Can you all hear me?
The October Gallery’s exhibition explores the legacy of novelist and artist William S Burroughs, a...
Jessica Stockholder: ‘Art changes, taking account of the present moment...
Jessica Stockholder talks about her work, which combines painting, sculpture, installation and langu...
Nina Lola Bachhuber: ‘The creative process is like a virus in my brain’
The Munich-born artist’s delicate drawings depict invented characters that are then given form in ...
The exhibition at Ben Uri brings together five postwar artists, Joan Eardley, Sheila Fell, Eva Frank...
Using edible and chemical substances from hair gel to toothpaste to avocado skins and potatoes, Sama...
Concentric circles: Wojciech Fangor and Peter Sedgely
London commentary by David Thompson
First published in Studio International, Vol 171 No 878...
A World to Win: Posters of Protest and Revolution
From the “votes for women” campaigns of the early 20th century to anti-apartheid protests in the...
Wojciech Fangor: Colour-Light-Space
In the 1950s and 60s, Polish-born Wojciech Fangor (b1928) was an artistic force to be reckoned with....
Sam Belinfante: ‘For galleries, sound is still a terrifying prospect’
Sam Belinfante talks about the role of listening in the visual arts and the challenges he faced in c...
Dan Coombs: ‘Art is grounded in reaching for the real’
The artist talks about how he hoped his recent exhibition, Suspicion, would answer his 20-year quest...
In her largest exhibition to date, British artist Caragh Thuring presents a diverse series of abstra...
Transfigurations: Modern Masters from the Wexner Family Collection
This exhibition, which revolves around Pablo Picasso, Jean Dubuffet and Alberto Giacometti, offers w...
The Nova section of Art Basel Miami Beach gave artists a chance to show their latest works, from dra...
Maggi Hambling: ‘Some paintings you’ve just got to cut up. There’s e...
Maggi Hambling talks about the sea, life, death and love in her work, how, despite being nearly 70, ...
Jim Campbell: Indirect Imaging
American artist Jim Campbell uses LED technology for his light installations in this stunning explor...
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