Veronese: Magnificence in Renaissance Venice
This latest exhibition at the National Gallery, beautifully displayed and sympathetically realised, ...
Esme Toler and Olì Bonzanigo: interview
Esme Toler and Olì Bonzanigo are the creators of 13th Hour (2014), a sculpture on the roof of L’B...
Anna Raimondo is an Italian artist based in Brussels and working internationally. She describes hers...
Marrakech Biennale: fifth edition – Where are we now?
The fifth Marrakech Biennale takes place in locations across the city. Founded by Vanessa Branson in...
Most early reviews of the Whitney Biennial have been vehemently critical, often only citing the sect...
Renaissance Impressions: Chiaroscuro Woodcuts from the Collections of Geor...
Renaissance Impressions is a comprehensive survey of some remarkable pieces of printmaking from the ...
The South London Gallery presents a restaging of the group exhibition Welcome to Iraq, originally sh...
Patrick Scott: Image Space Light
Unsurprisingly coming from an architecture graduate, Scott’s work often revolved around order. Eve...
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Michael Craig-Martin has three exhibitions opening this month, one at Chatsworth House in Derbyshire...
Architecture Film and Postmodern Culture
In this enterprising move, long-term architectural publisher Axel Menges (whose list running from th...
Alex Warren and Tobias Ross-Southall, directors of Eleanor: interview
An extraordinary collaborative enterprise (displayed at the Cob Gallery Camden as a three-screen ins...
Shiver Me Timbers! Nick Jeffrey
Shiver Me Timbers!, a new exhibition of work by Berlin-based British artist Nick Jeffrey, is the Han...
Where the word “lust” in the title implies sinful, furtive enjoyment of the destroyed, Ruin Lust...
Suggestive, affective, nauseating. How to respond but with a wince, looking quickly away, perhaps a ...
Liliane Lijn (b1939) gives Studio International a tour of some of her key works in her north London ...
Gustave Doré – Master of Imagination
Gustave Doré (1832-83) was immensely successful in his day. He was the highest paid illustrator in ...
Vikings: Life and Legend opened at the British Museum to mixed reviews. In the newly finished Sainsb...
The Armory Show 2014 – The “Secondary” Market
First things first. The art came out from the gate running. Overflow was the word for this year’s ...
In 2013, exhibitions by London- and Berlin-based Artists Anonymous were held across Europe, in Essen...
Xu Bing, the internationally acclaimed Chinese conceptual artist who works in a variety of disciplin...
Ana Mendieta in Rome: interview with Raquel Cecilia
Studio International talks to film-maker Raquel Cecilia about documenting Ana Mendieta’s last crea...
Raw Vision – 25 Years of Art Brut
We all have private mythologies extracted from our experiences and interests. The extent to which th...
Agnes Denes (b1931) is a Budapest-born artist based in New York, whose career spans 46 years. A pion...
Landscape architecture: Bernard Lassus
Landscape design has advanced dramatically in the past generation and Europe’s doyen, Professor Be...
Italian Futurism 1909-1944: Reconstructing the Universe
It begins with a car crash. Racing through the night, the vehicle swerves, overturning in a crash of...
An intriguing fusion of coffee table and textbook, Exhibiting Fashion: Before and After 1971 apprais...
The Drawn Word is the product of a research project funded by an Arts and Humanities Research Counci...
Studio International Yearbook 2011
Studio International Yearbook 2011 Special issue 2011, Volume 210 Number 1033. Publisher: The ...
The Alison Jacques Gallery presents the third solo exhibition of Ryan Mosley’s paintings. Through ...
The retrospective of one of the founding artists of Pop Art, Richard Hamilton (1922-2011), inhabits ...
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