A Traveller in Time, from Standing Stones to the Distant Stars: an intervi...
In the 1990s, Japanese multimedia artist Mariko Mori became known for her performance-based photogra...
Sarah Lucas: Situation – Absolute Beach Man Rubble
Rotting hams, kippers and kebabs; cucumbers, bananas, zeppelins; melons, lemons and fried eggs. Sara...
Home Truths: Photography, Motherhood and Identity
In a new show entitled Home Truths: Photography, Motherhood and Identity, the concept of “motherho...
The Heritage of Rogier van der Weyden
This autumn, leafy Brussels invites the visitor to a spectacle of detail in oil. An exhibition devot...
After I had seen Brooklyn-based artist Anita Glesta’s travelling multimedia installation Gernika/G...
Art Under Attack: Histories of British Iconoclasm
These days we take for granted the irony of using destruction as part of art, employed by movements ...
Andy Warhol: Pop, Power and Politics
Warhol was one of the first artists to recognise the truly spectacular side of politics in the democ...
At the opening of Kara Walker's first UK exhibition, we spoke to her about her work, which is a dark...
It might appear that we are miles away from civilisation. In fact, we are standing in the long derel...
Philomene Pirecki has just been shortlisted for the Max Mara Art Prize for Women. In addition to thi...
From Power Lunches to Public Sculpture
When former Condé Nast editorial director Alexander Liberman, a fixture at the publishing company f...
Facing the Modern: The Portrait in Vienna 1900
Covering the period during the Austro-Hungarian Empire, 1867 to 1918, Facing the Modern charts the p...
Marisa Merz and Adrián Villar Rojas
In the Serpentine Sackler Gallery, the installation Today We Reboot The Planet offers the first UK e...
Tomorrow: Elmgreen & Dragset at the V&A
Come in. Make yourself at home. Contemporary artists Michael Elmgreen and Ingar Dragset have transfo...
Chris Burden: Extreme Measures
Chris Burden, we learn from the flood of promotional material accompanying this fine show, his first...
Interview with Dorothea Rockburne
How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...
Astronomy Photographer of the Year 2013
This is the fifth Astronomy Photographer of the Year exhibition. When Unesco held its International ...
The Russian Avant-Garde: Siberia and The East
Kandinsky was spot on. The 130 Russian works of art displayed in the elegant rooms of the Palazzo St...
Li Songsong: We Have Betrayed the Revolution
Li Songsong’s paintings are imposing, strong and abstract, yet they are also images of group portr...
Despite leaving behind an archive of over 1,000 slides and 60 films, as well as myriad drawings and ...
Australia at the Royal Academy is the largest and possibly most important exhibition of Australian a...
Ian Hamilton Finlay: Poet, Artist, Revolutionary
The retrospective of Ian Hamilton Finlay (1925-2006) at the Glasgow Gallery of Modern Art is housed ...
A picture of ArtRio 2013: An invitation to think about Art Fairs
The third ArtRio, which took place earlier this month, spanned five massive warehouses in Rio de Jan...
Happy to scuff your floors for you, Murillo
In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...
![David Hammons. Spade (Power to the Spade), 1969. Body print, pigment, and mixed media on paper, 53 1/4 x 35 1/4 in.
Collection of Jack and Connie Tilton, New York. [On view at Grey Art Gallery, NYU].](/images/articles/b/black-performance-2013/smallpix/1_Hammons_Spade_1969-300.jpg)
Black Performance as Visual Art
Black performance needs no introduction. However, this is usually true with theatre, music and dance...
Jill Spalding talks to American sculptor Alice Aycock
Though best known for her elaborate constructions in wood and metal, Alice Aycock is collected as wi...
The pictures of Russian painter Marc Chagall (1887-1985) have the simple charm of folk and fairy tal...
In 1981, British painter Patrick Caulfield said: “I like the idea that things have been done in th...
Janet Cardiff’s Sound Sculpture
The Forty Part Motet, a sound installation by Canadian artist Janet Cardiff, is not so much a sight ...
Transmitted Live: Nam June Paik Resounds
Master of the television screen, South Korean born artist Nam June Paik (1932-2006) is represented i...
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