Published in Artforum in 1967, Robert Smithson’s A Tour of the Monuments of Passaic, New Jersey is...
Sculptor Richard Deacon has selected works by more than 30 artists spanning the last 105 years to re...
Strange Beauty: Masters of the Renaissance
Strange Beauty at the National Gallery presents some interesting ideas about British attitudes towar...
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Kazuyo Sejima + Ryue Nishizawa, SANAA
Buildings for museums and cultural institutions, including the recently completed Louvre Lens museum...
Danie Mellor: Exotic Lies, Sacred Ties
Danie Mellor explores the paradoxes inherent in the shared experience of Indigenous people and white...
The portrait Rebecca and Matthew (1998), of the art historian Matthew Sturgis and gallery owner Rebe...
Germany divided: Baselitz and his generation
In what forms part of a series of exhibitions and a public programme examining Germany, the British ...
Anyone who hasn’t yet heard of Chiharu Shiota soon will have. Taught by Marina Abramović and infl...
Capturing more than 500 of Cartier-Bresson’s “decisive moments”, the exhibition is almost over...
When Liliane Lijn (b1939) invites us to her studio in north London, on one of the wettest and windie...
The Pérez Art Museum of Miami, Miami
Whereas everyone raves about the building, asking about the content is akin to inquiring after a ter...
This art exhibition in the Niigata prefecture, with installations by five Japanese artists, aims to ...
Martin Creed (b1968) became the Marmite subject of much art-world discussion when he won the Turner ...
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Pace has represented James Turrell since 1967 and this relationship has now been cemented with his f...
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Artist Liu Wei explores the themes of architecture and urbanism in Density, his new exhibition at Wh...
Kurt Jackson, one of Britain's most celebrated landscape painters, talks to Studio International abo...
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Rachel Howard is committed to the material properties of paint and the manner in which they can be m...
Zurbarán: Master of Spain's Golden Age
This winter, a warm southern breeze sails in as Brussels celebrates the Spanish Baroque painter Fran...
Earthy Transitions: India Art Fair 2014
Since its inception, the India Art Fair has become a Mecca for Indian artists, curators, collectors,...
Colin Self and David Hockney discuss their recent work
Colin Self's latest suite is on show at Alecto Gallery, Albemarle Street, London; a major exhibition...
América Latina 1960-2013 is a vast and brilliant exploration of a continent looking at itself. It i...
“I am 23 years old and wear glasses,” one of the inscriptions on Hockney’s 1961 print Myself a...
Michael Snow’s Times (1979) is a simple exercise in reproduction: a large photograph of one of the...
A Dialogue with Nature: Romantic Landscapes from Britain and Germany
“The artist should not only paint what he sees before him, but also what he sees in himself,” st...
In celebration of Derek Jarman’s life and work, the Cultural Institute at King’s College London ...
Carrie Mae Weems: Three Decades of Photography and Video
If there were one word to describe Carrie Mae Weems’s art in the exhibition at the Guggenheim Muse...
Sensing Spaces: Architecture Reimagined
Although the Royal Academy of Arts includes architecture within its remit, and elects distinguished ...
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Personal travel and the cult of tourism form the subject of Franz Ackermann’s paintings, inevitabl...
Making Painting: Helen Frankenthaler and JMW Turner
The first exhibition of 2014 at Turner Contemporary brings big canvases, bright colours and a return...
As a filmmaker, David Lynch has embraced the various Surrealist approaches, not least in the incongr...
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