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Mondrian and his Studios

As observers, we might be tempted to approach the work of Piet Mondrian as we would the scene of a c...

Marina Abramović: interview

We spoke to her ahead of the opening of 512 hours about why, for her, presence is so important, what...

Doug Cocker: interview

Doug Cocker’s workspace – a converted studio in Lundie – sits in the farming landscape of Coup...

Joyce Cairns: interview

Joyce W Cairns RSA was born and brought up in Edinburgh. She studied painting at Gray’s School of ...

Royal Academy Summer Exhibition 2014

Studio International visited this year’s Royal Academy Summer Exhibition before the party began, a...

Ancient Lives, New Discoveries

Ancient Lives explores the mortal remains and daily routines of eight of the British Museum’s mumm...

Richard Long

This exhibition of works by Richard Long from 1995 to 2014 documents the artist’s journeys through...

Ursula Ilse-Neuman: interview

From the early days of its development two centuries ago, photography has been closely aligned with ...

Ali Banisadr: interview

Born in Tehran in 1976, Ali Banisadr was three when the Islamic revolution took place. He and his fa...

David Ostrowski: interview

The paintings of German artist David Ostrowski (b1981) look like works that may or may not be quite ...

Ben Johnson: interview

Studio International visited the Alan Cristea gallery to talk to the painter Ben Johnson. This is hi...

Unravelling the Mystery and Mastery of America’s First Couturier

Harold Koda, curator-in-charge at the Costume Institute, discusses Charles James’s ingenious desig...

Paul Coldwell: interview

Paul Coldwell’s exhibition at the Freud Museum, London explores our relationship to objects and th...

Tania Kovats: Oceans

For as long as we have told stories, we have told them of the sea. For every culture on its shores, ...

Meschac Gaba: Exchange Market

This exhibition of new work by Meschac Gaba marks his first solo show in the US. Exchange is central...

Elizabeth Neel: interview

The American painter Elizabeth Neel makes paintings and sculptures that converse with each other. Bo...

Frieze New York 2014

Light rain, heavy traffic and impossibly long queues to access transport marked the Frieze Art Fair...

Camille Henrot: The Restless Earth

Stepping out of the elevator on to the second floor of the New Museum, one walks into a gallery fill...

Jeanine Oleson: interview

In conjunction with Jeanine Oleson’s exhibition Hear, Here, guest music curator Cori Ellison (dram...

Luke Gottelier and Max Lamb

Entering Kate MacGarry’s exhibition of paintings by Luke Gottelier and furniture by Max Lamb is li...

Henri Matisse: The Cut-Outs

There is little denying that Henri Matisse was a great artist, but therein lies the problem. Critica...

United Visual Artists: Vanishing Point

United Visual Artists (UVA) was formed in 2003 by Matthew Clark, Chris Bird and Ash Nehru. Since the...

Maxim Boxer: interview

Opening to coincide with the first Russian Art Week during the UK-Russia Year of Culture, Russian Co...

Odilon Redon

The French painter Odilon Redon (1840-1916) was a visionary artist in many senses of the term. He wa...

Shezad Dawood: interview

The multidisciplinary artist Shezad Dawood’s first solo London show opened at the Parasol Unit in ...

Catlin Art Prize 2014

Nominees for this year’s Catlin art prize are exhibiting their work at the Londonewcastle Project ...

Lower East Side: The Real Estate Show Redux

Real Estate was the name of the show. It opened on New Year’s Eve 1980 at an abandoned city-owned ...

Ai Weiwei: According to What?

The Brooklyn Museum marks the final stop on this North American touring exhibition by Chinese artist...

Mathieu Pernot – The Crossing

The most disturbing thing about Mathieu Pernot’s powerful, compassionate and subversive The Crossi...

Alexander James: interview

Alexander James (b1967) is a photographer with a difference. Rather than capturing the moment sponta...

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