Looking for Legends, Gambling on Faith
Now at the pinnacle of his 30-year career, Chinese artist Wang Guangyi, a resident of Beijing, has a...
Matisse: The Essence of Line, Selected Prints: 1900-1950
The draughtsmanship of Henri Matisse is celebrated by Marlborough Fine Art’s Matisse: The Essence ...
Painting for Stimulation: Guan Jingjing
In his catalogue essay, Painting to Stimulate the Mind: The Painted Art of Guan Jingjing, curator Xi...
Rembrandt - Auerbach: Raw Truth
Titled Raw Truth, the display shows six Auerbachs opposite five Rembrandts. Both artists are central...
Philippe Parreno: Anywhere, Anywhere Out of the World
It is an opportunity most artists would dream of – a carte blanche invitation to transform the mag...
The Scottish Colourists Series: JD Fergusson
The Scottish Colourists, a group of painters who left their homes and families in the early-20th cen...
Julio Le Parc: Light and Movement
When talking about the Argentinean Julio Le Parc, it is impossible not to mention the remarkable epi...
Uproar! The First 50 Years of the London Group 1913-1963
When Mark Gertler exhibited The Creation of Eve (1914) at the London Group’s third show in 1915, h...
Just as all utopias contain potential dystopia within them, the grandest pageantries are their own p...
The fifth edition of the Bi-City Biennale of Urbanism/Architecture (UABB), Urban Borders, opened on ...
Sarah Sze’s current multi-room installation at the Fabric Workshop and Museum in Philadelphia is t...
Art Basel Miami Beach – 2013: the lowdown
For those of you who couldn’t make it, Jill Spalding has the inside information. Who was there –...
The Finnish artist, filmmaker and photographer Salla Tykkä is an exemplary explorer of the hidden c...
Turner’s enduring appeal and perennial appearance in major exhibitions in the UK is testament to h...
Mira Schendel: “You shall see the difference now that I am back again”
Schendel (1919-88) settled in Brazil in 1949, a Jewish refugee from fascist Italy, becoming known as...
The Life and Death of Marina Abramović
Marina Abramović, a master of performance art, in collaboration with theatre director Robert Wilson...
At first glance, Christopher Wool’s paintings are objects, complete and unequivocal. They stand in...
Damage Control: Art and Destruction Since 1950
In his novel The World Set Free (1913), the science fiction writer HG Wells described a post-atomic ...
Bill Woodrow talks to Studio International about his exhibition at The Royal Academy of Arts, London...
Jake and Dinos Chapman: Come and See
Since the early 1990s, the brothers Chapman have used their art to unearth our deepest fears and pre...
The exhibition of the Italian artist Fausto Melotti (1901-86) at Waddington Custot Galleries in Lond...
Isa Genzken’s Objects: Life into Art
As we enter a large hall on the sixth floor of the Museum of Modern Art leading to Isa Genzken’s f...
Peter Howson grew up in Glasgow in the 1960s and attended Glasgow School of Art from 1975 to 1979. I...
Mad, Bad and Sad: Women and the Mind Doctors
Mad Bad and Sad: A History of Women and the Mind Doctors From 1800 to the Present, the Freud Museum ...
Wael Shawky at the Serpentine presents the premier of the artist’s latest film Al Araba Al Madfuna...
Leonora Carrington: The Celtic Surrealist
This superb exhibition by the Irish Museum of Modern Art demonstrates how Carrington, with reference...
Bloomberg New Contemporaries 2013
Bloomberg New Contemporaries 2013 opened at the Institute of Contemporary Arts with the customary fa...
Laure Prouvost wins Turner Prize 2013
The French-born film and installation artist Laure Prouvost (born Croix-Lille, 1978) has won the 29t...
Jules de Balincourt: Itinerant Ones
Balincourt’s exhibition is titled - after one of the paintings in this show - Itinerant Ones....
Taylor Wessing Photographic Portrait Prize 2013
The Taylor Wessing Photographic Portrait Prize is now in its 11th year, and is as popular as it has ...
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