Archive - Results from #3000

Published 30/11/-0001

Andy Warhol: Pop, Power and Politics

Start
Prev
96
97
98
99
100
101
102
103
104
105
Next
End

Marisa Merz.  Installation view 1, Serpentine Gallery, London  (28 September - 10 November 2013)  © 2013 Luke Hayes.

Marisa Merz and Adrián Villar Rojas

In the Serpentine Sackler Gallery, the installation Today We Reboot The Planet offers the first UK e...

Tomorrow: Elmgreen & Dragset at the V&A

Come in. Make yourself at home. Contemporary artists Michael Elmgreen and Ingar Dragset have transfo...

Chris Burden. Dos Equis, 1972. Laguna Beach, California: October 16, 1972. Photograph: Barbara Burden.

Chris Burden: Extreme Measures

Chris Burden, we learn from the flood of promotional material accompanying this fine show, his first...

Dorothea Rockburne. Neighborhood, 1973. Transparentized paper, pencil, and coloured pencil on wall, 160 x 90 in (406.4 x 228.6 cm). The Museum of Modern Art, New York. Gift of J. Frederic Byers III, 1978. © 2013 Dorothea Rockburne/Artists Rights Society (ARS), New York.

Interview with Dorothea Rockburne

How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...

EARTH AND SPACE. Winner and Overall Winner: Mark Gee (Australia), Guiding Light to the Stars. The skies of the Southern Hemisphere offer a rich variety of astronomical highlights. The central regions of the Milky Way Galaxy, 26,000 light years away, appear as a tangle of dust and stars in the central part of the image. Two even more distant objects are visible as smudges of light in the upper left of the picture. These are the Magellanic Clouds, two small satellite galaxies in orbit around the Milky Way. © Mark Gee.

Astronomy Photographer of the Year 2013

This is the fifth Astronomy Photographer of the Year exhibition. When Unesco held its International ...

Natal’ia Goncharova (1881-1962). Emptiness, 1913-14. Oil on canvas, 80 x 106 cm. Moscow, State Tretyakov Gallery, inv. Zh-1543.

The Russian Avant-Garde: Siberia and The East

Kandinsky was spot on. The 130 Russian works of art displayed in the elegant rooms of the Palazzo St...

Li Songsong: We Have Betrayed the Revolution

Li Songsong’s paintings are imposing, strong and abstract, yet they are also images of group portr...

Ana Mendieta. Imagen de Yágul (Image from Yagul), 1973. Colour photograph, 48.3 x 31.8 cm. Courtesy Glenstone Museum.

Ana Mendieta: Traces

Despite leaving behind an archive of over 1,000 slides and 60 films, as well as myriad drawings and ...

Australia

Australia at the Royal Academy is the largest and possibly most important exhibition of Australian a...

Ian Hamilton Finlay. Homage to Modern Art (collaboration with Jim Nicholson), 1972. Screenprint on paper, 76.2 x 53.8 cm. Collection: Tate. © Estate of Ian Hamilton Finlay.

Ian Hamilton Finlay: Poet, Artist, Revolutionary

The retrospective of Ian Hamilton Finlay (1925-2006) at the Glasgow Gallery of Modern Art is housed ...

ArtRio 2013. Entrance. Photograph: Sergio Greif.

A picture of ArtRio 2013: An invitation to think about Art Fairs

The third ArtRio, which took place earlier this month, spanned five massive warehouses in Rio de Jan...

Oscar Murillo. If I was to draw a line, this journey started approximately 400km north of the equator, 2013. Photograph: Martin Kennedy.

Happy to scuff your floors for you, Murillo

In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...

David Hammons. Spade (Power to the Spade), 1969. Body print, pigment, and mixed media on paper, 53 1/4 x 35 1/4 in.
Collection of Jack and Connie Tilton, New York. [On view at Grey Art Gallery, NYU].

Black Performance as Visual Art

Black performance needs no introduction. However, this is usually true with theatre, music and dance...

Alice Aycock. Maze, 192. 12-sided wooden structure of 5 concentric dodecagonal rings, broken by 19 points of entry and 17 barriers; 32 diameter x 6 ft h. Originally sited at Gibney Farm near New Kingston, Pennsylvania, (destroyed 1974)
Photo: Silver Spring Township Police Department, Mechanicsburg, PA.

Jill Spalding talks to American sculptor Alice Aycock

Though best known for her elaborate constructions in wood and metal, Alice Aycock is collected as wi...

Marc Chagall. The Bride and Groom on Cock, 1939-47. Oil on canvas, 45 5/8 x 35 7/8 in. Collection of Dr. Hubert Burda, Munich. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris.

A Painter of Sorrows

The pictures of Russian painter Marc Chagall (1887-1985) have the simple charm of folk and fairy tal...

Patrick Caulfield

In 1981, British painter Patrick Caulfield said: “I like the idea that things have been done in th...

Janet Cardiff. The Forty Part Motet, 2001. View 1. Fuentidueña Chapel at The Cloisters museum and gardens. Image: The Metropolitan Museum of Art/Wilson Santiago.

Janet Cardiff’s Sound Sculpture

The Forty Part Motet, a sound installation by Canadian artist Janet Cardiff, is not so much a sight ...

Nam June Paik. Merce by Merce by Paik, Part One (still) 1978. Video, colour. Nam Photograph: June Paik Art Center © Nam June Paik Estate.

Transmitted Live: Nam June Paik Resounds

Master of the television screen, South Korean born artist Nam June Paik (1932-2006) is represented i...

Ayad Alkadhi. If Words Could Kill III, 2013. Mixed media on heavy paper, 30 x 37 in (76.2 x 94 cm).

Calligraffiti: 1984/2013 – the art happening that launched the New York ...

A vibrant collaboration between Jeffrey Deitch, who curated the show, and Leila Heller, the longtime...

Guan Jingjing. Remnant mountain 13-04, 2013. Tempera on canvas, 80 x 80 cm.

Moving Beyond – Painting in China 2013

Of the many aspects that the exceptional Moving Beyond – Painting in China 2013 exhibition explore...

Aída Rubio González. Florence, 2013. Oil on canvas, 146 x 195 cm. Courtesy Rosenfeld Porcini.

The Birth of Cinema … and Beyond: An Exhibition of Painting and Video

Before the invention of cinema in the 19th century, visual art was one of the primary means for stor...

Julia Margaret Cameron. Sappho, 1865. Albumen silver print from glass negative. The Rubel Collection, Purchase, Jennifer and Joseph Duke and Anonymous Gifts, 1997. The Metropolitan Museum of Art.

Cameron Abridged

The exhibition of Julia Margaret Cameron’s portraits and allegorical scenes currently on view at t...

Gao Zhen and Gao Qiang (The Gao Brothers). A New World of Nuclear Cloud Shape, 2008. Photograph, 180 x 247 cm. Image courtesy of Hua Gallery, London.

Between Spiritual and Material Spaces: the Photographic World of the Gao B...

Sense of Space – Wake...

Charles Esche in the São Paulo Biennial Pavilion. Photograph: Sofia Colucci. Courtesy of Fundação Bienal de São Paulo.

How to be Contemporary? An interview with curator Charles Esche

The Scotsman Charles Esche, director of the Van Abbemuseum, a modern and contemporary museum in Eind...

Imran Qureshi. The Roof Garden Commission, The Metropolitan Museum of Art, New York City. Photograph: Miguel Benavides.

Imran Qureshi at the MET

The Pakistani artist Imran Qureshi, who was voted Artist of the Year in 2013 by the Deutsche Bank Gl...

Cyberman Helmet, 1985. Courtesy Chris Balcombe. Photograph: Chris Balcombe.

The Universal Addressability of Dumb Things

The exhibition’s title, The Universal Addressability of Dumb Things, comes from a concept in compu...

Frans Francken II. Witches' Sabbath, 1606. Oil on oak panel. © Victoria and Albert Museum, London.

Witches and Wicked Bodies

“The witch is dead. Which old witch? The wicked witch! Ding Dong! The wicked witch is dead!” Fro...

George Gittoes

George Gittoes has worked in many war zones over the past 40 years, including Rwanda, Bosnia, Somali...

Charles Sheeler. Self-Portrait, 1923. Conté crayon, gouache, and pencil on paper, 50.1 x 65.2 cm. Gift of Abby Aldrich Rockefeller, 1935.

American Modern – A Canon Revived

The recently opened American Modern: Hopper to O’Keeffe in the Museum of Modern Art is arranged in...

Le Corbusier (Charles-Edouard Jeanneret). Parthenon, Athens. 1911. Perspective of the colonnade and the landscape. Watercolour, gouache, and pencil on paper. 38.3 x 38.5 cm. Fondation Le Corbusier, Paris. © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris/FLC.

Le Corbusier: An Atlas Of Modern Landscapes

The current exhibition at the Museum of Modern Art, New York, curated by Cohen and Barry Bergdoll, m...

Start
Prev
96
97
98
99
100
101
102
103
104
105
Next
End

Home	About Studio
Archive	Yearbooks
Interviews	Contributors
Video	Cybernetic Serendipity
CyberArt	Contact us