Technology and Art 15: Computer graphics at Brunel
"The potential that was so evident at the 1968 ICA exhibition is still there, but the actuality has ...
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
Barnett Newman by Don Judd, Studio International 1970
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
For me and many others, Barnett Newman establishes a prickly active presence of that something which...
Technology and Art 10: LINGUISTICS AND TOYS AT THE ICA
"Increasing numbers of mathematicians and of engineers have joined them [poets, philologists and phi...
Technology and art 8: `The prehistory of the visible'
To read Burnham on vitalist or biomorphic sculpture is to be reminded that there is no apparent corr...
The added originality in [Petar] Milojević's technique is that by slight changes to his programming...
Technology and Art 4: SYMBIOTIC ART
Sound and light are not the only media which can be used, and it seems worthwhile to consider such w...
An artist can acquire such [technical] skills for himself or he can borrow other people's....
The cybernetic sculpture of Tsai Wen-ying
Our attitude today to machinery is such a compound of dependence, admiration and fear; and the relat...
One nice thing about technology is that it can neither be called serious nor the opposite. It just i...
Richard Lindner and the human being as a toy
Richard Lindner and the human being as a toy – A Lindner retrospective exhibition, shown at the St...
Cybernetic Serendipity—Getting Rid of Preconceptions
Cybernetic Serendipity exhibition was the demonstration of machine-aided creative processes...
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