Venice Biennale: the British five
“... this year’s selection of Caro, the Cohens [Bernard Cohen, Harold Cohen], Denny, and Richard...
An interview with Marcel Duchamp
Marcel Duchamp '...The whole of modern art—the Impressionists, the Fauves, the Cubists—the whole...
Venice Biennale: choosing the artists
“...in 1948, [at the Venice Biennale] ...Henry Moore walked off with the major Sculpture Prize...t...
Phillip King. Studio International, 1965, Volume 170, 254
Phillip King, young British sculptor working mainly in plastic, answers some questions by John Copla...
Assemblage: The savage eye of Ed Kienholz
The spirit of anti-art manifest in Dada and never since completely absent from contemporary art deri...
Philip Guston: The painter as metaphysician
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
Studio International – January 1965
January 1965 Volume 169 Number 861 – The Peggy Guggenheim collection by Giuseppe Marchiori; Unconv...
Clacking, ticking and now and then breaking down, an exhibition at New York University's Art Gallery...
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