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Published  30/11/-0001
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  1. Studio International – April 1969

Studio International, November 1968, Volume 176 Number 905. Cover image: Cover specially designed for this issue by Peter Schmidt whose work is discussed and illustrated on pages 190 and 191.

Studio International – November 1968

November 1968 Volume 176 Number 905...

Studio International, Volume 176, Number 904, October 1968.

Cybernetic Serendipity: Correspondence

Cybernetics includes all observable systems—whether biological, electronic, industrial, economic o...

Studio International, October 1968, Volume 176 Number 904. Cover image: Detail of John Heartfield's War and corpses - the last hope of the rich (27 April. 1932) which is reproduced in its entirety on page 134.

Studio International – October 1968

October 1968 Volume 176 Number 904...

Studio International, September 1968, Volume 176 Number 903. Cover image: Cover design: Josef Albers, White Line Square XIII. Three-colour hand printed lithograph, 15 5/8 x 15 5/8 in. © 1966, Gemini G.E.L.

Studio International – September 1968

September 1968 Volume 176 Number 903...

Studio International, July-August 1968, Volume 176 Number 902. Cover image: Cover design: Henri Matisse (1869-1954). Seated blue nude, No. 3, 1952. Gouache on cut-and-pasted paper, 45¾ x 32 in. Private collection. Paris.

Studio International – July-August 1968

July-August 1968 Volume 176 Number 902...

Studio International, June 1968, Volume 175 Number 901. Cover image: The cover, specially designed for this issue by Bridget Riley, is a preliminary study for Chant Ill, a work described in David Thompson's article.

Studio International – June 1968

June 1968 Volume 175 Number 901...

Cybernetic Serendipity, 1968, page 17. Poster for The Schillinger System of Musical Composition (1946). New York Skyline was composed as a piano piece by Heitor Villa-Lobos. The System was also used by many other composers, notably by George Gershwin in writing Porgy and Bess.

The Computer and Music: Coordinate Expansion

[Schillinger's views on the mathematical basis of various musical styles were formulated before digi...

studio international

New York Commentary, June 1968

'Dada, Surrealism and their heritage’ at the Museum of Modern Art: Isamu Noguchi at the Whitney Mu...

Studio International, May 1968, Volume 175 Number 900. Cover image: Cover specially designed for this issue by John Plumb.

Studio International – May 1968

May 1968 Volume 175 Number 900...

Studio International, April 1968, Volume 175 Number 899. Cover image: The cover by Aubrey Beardsley (1872-1898) was the original design for the first issue of The Studio. In the final version, the figure of the faun was expurgated and the signature omitted.

Studio International – April 1968

April 1968 Volume 175 Number 899...

Studio International, Vol 175, No 898, March 1968

Non-games

The esoteric books and games we are involved with here are those which one cannot do anything with. ...

Studio International, March 1968, Volume 175 Number 898. Cover image: Cover specially designed for this issue by Kenneth Martin.

Studio International – March 1968

March 1968 Volume 175 Number 898...

Studio International, February 1968, Volume 175 Number 897. Cover image: Cover specially designed for this issue by James Rosenquist.

Studio International – February 1968

February 1968 Volume 175 Number 897...

Studio International, January 1968, Volume 175 Number 896. Cover image: Cover specially designed for this issue by Roy Lichtenstein.

Studio International – January 1968

January 1968 Volume 175 Number 896...

Studio International, December 1967, Volume 174 Number 895. Cover image: a detail from one of a new series of prints, Universal Electronic Vacuum 1967, by Eduardo Paoiozzi. The series was printed by Kelpra Studio and issued by the artist and Editions Alecto in collaboration. The print from which this detail is taken is reproduced on p. 302.

Studio International – December 1967

December 1967 Volume 174 Number 895...

Studio International, November 1967, Volume 174 Number 894. Cover image: Cover designed especially for this issue by Gordon House-the drawing is related to the images In his edition of boxes clear coloured and neutrals recently published by Marlborough Fine Art, London.

Studio International – November 1967

November 1967 Volume 174 Number 894...

Studio International, October 1967, Volume 174 Number 893. Cover image: Cover specially designed for this issue by Joe Tilson.

Studio International – October 1967

October 1967 Volume 174 Number 893...

Studio International, September 1967, Volume 174 Number 892. Cover image: Cover specially designed for this issue by Jeremy Moon.

Studio International – September 1967

September 1967 Volume 174 Number 892...

Studio International, July-August 1967, Volume 174 Number 891. Cover image: Cover specially designed for this issue by Patrick Heron.

Studio International – July-August 1967

July-August 1967 Volume 174 Number 891...

Studio International, June 1967, Volume 173 Number 890. Cover image: Detail of Patrick Caulfield's Sweet bowl. Screenprint, edition of 75, 22 x 36 in. Editions Alecto.

Studio International – June 1967

June 1967 Volume 173 Number 890...

Studio International, Vol. 173, No. 889, May 1967, pp 222-223

Computer Art

Computer Art: The computer performs various functions which in the broader sense seem to be acts of ...

Studio International, May 1967, Volume 173 Number 889. Cover image: Vasarely. Sikra, 1966. 31½ x 31½ in.

Studio International – May 1967

May 1967 Volume 173 Number 889...

Studio International, April 1967, Volume 173 Number 888. Cover image: Cover specially designed for this issue by Victor Pasmore. Born in 1908, Pasmore turned to abstraction 1947 and has emerged as one of the most influential British artists on the international scene.

Studio International – April 1967

April 1967 Volume 173 Number 888...

Studio International, March 1967, Volume 173 Number 887. Cover image: Bridget Riley. Descent, 1965-6. Emulsion on bord, 36 x 36 in.

Studio International – March 1967

March 1967 Volume 173 Number 887...

Studio International, February 1967, Volume 173 Number 886. Cover specially designed for this issue by the Venezuelan kinetic artist Jesus-Raphael Soto. Soto was awarded a prize at the XXXII Venice Biennale in 1964. A statement by him appears on page 60.

Studio International – February 1967

February 1967 Volume 173 Number 886...

Studio International, January 1967, Volume 173 Number 885. Cover image: Outside the Uffizi in Florence. Photographed shortly after the floods receded by Robert Whitaker, whose photographs illustrate the article on the Florentine disaster by Robert Hughes.

Studio International – January 1967

January 1967 Volume 173 Number 885...

Studio International, December 1966, Volume 172 Number 884. Cover image: Mondrian. Composition with Red, Yellow, and Blue (unfinished), 1939-44. Oil and charcoal, 28 5/8 x 27 5/8 In.

Studio International – December 1966

December 1966 Volume 172 Number 884...

Studio International, November 1966, Volume 172 Number 883. Cover image: L. S. Lowry. Coming from the Mill, 1930. Oil on canvas, 20 x 16 in. City of Salford Art Gallery.

Studio International – November 1966

November 1966 Volume 172 Number 883...

Studio International, October 1966, Volume 172 Number 882. Cover image: William Turnbull. 3/4/5, 1966. Steel painted red and orange, height 8 ft 4 In.

Studio International – October 1966

October 1966 Volume 172 Number 882...

Studio International, September 1966, Volume 172 Number 881. Cover image: Alan Davie, Pan's Castle, 1965. Oil on two canvases, 84 x 95 in. Courtesy Lund Humphries.

Studio International – September 1966

Volume...

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Copyright © 1893–2024 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
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