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Published  30/11/-0001
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Callum Innes: Byzantine Blue, Delft Blue, Paris Blue

Five of Innes’ paintings form the inaugural exhibition for the Ingleby gallery’s new space, an a...

Contemporary Chinese Works on Paper – A Review

A microcosm of Chinese art and social change at Ipswich Art Gallery – this group show of works on ...

Nigel Shafran: Work Books 1984-2018

Newly established gallery project Sion and Moore combines the creative experiences of its two founde...

Eugène Delacroix (1798-1863)

A colossal retrospective at the Louvre liberates the French romantic from his early history painting...

Celia Pym – interview: ‘I didn’t ever see the point of invisible men...

Describing herself as ‘an artist who works in textiles’ Pym talks about her recent surgery for m...

Jane Irish: ‘There is a critical strain about the anti-war movement that...

For the first time in its 200-year history, a mansion in Philadelphia is transformed into a major pu...

Fergus McCaffrey Gallery opens in Japan

Since founding his New York gallery in 2006, Fergus McCaffrey has been instrumental in introducing p...

Harriet Middleton-Baker: ‘I enjoy the potential for opera to be seriousl...

The artist talks about unpicking the story of William Hogarth’s A Harlot’s Progress and using he...

The Ol’ Switcheroo

This group exhibition, by the artists Rebecca Lennon, Sarah Duffy and Sophie Jung with curator Carol...

Ettore Spalletti: ‘A yellow can lead me so far away into the light that ...

On the opening of his exhibition at the Galerie Marian Goodman, the Italian artist recounts his ritu...

Adapt to Survive: Notes from the Future

The Hayward Gallery’s group show suggests future survival will demand that humans adjust to changi...

Chila Kumari Burman: ‘I scribble and make a mess in my studio. My whole ...

Burman talks about the inspirations for her intricate, multilayered works, including her latest comm...

Shape of Light: 100 Years of Photography and Abstract Art

Shape of Light is an exhibition for die-hard art photography enthusiasts. The rest of us will strugg...

Berlin Gallery Weekend 2018

Painting is back, and Berlin’s Gallery Weekend proved a great opportunity to survey its return...

New York hosts Frieze, Tefaf and more

Leading the pack of satellite fairs crowding contemporary art week, Frieze, revamped under a new dir...

Art Brussels 2018

The annual art fair, which this year celebrated it’s 50th anniversary, impressed with its congenia...

Dallas Art Fair

The 10th edition of the major art showcase was an affirmation of the city’s commitment to visual c...

Rodin and the Art of Ancient Greece

Come to the British Museum to eavesdrop on a conversation across the millennia between Auguste Rodin...

Cedric Morris – portraits, places and flowers: three exhibitions

Three exhibitions capture a slice of 20th-century bohemia with portraits of people, places and, most...

Paul Maheke: ‘Michael Jackson is the reason I dance. And Felix Gonzalez-...

Through installation, sound, film and dance, Paul Maheke's work explores gender and racial stereotyp...

Neil Gall: ‘As an artist, you are almost trying to find a new kind of be...

Neil Gall: ‘As an artist, you are almost trying to find a new kind of beauty’ For his current...

Zuzanna Czebatul: ‘People have to talk and dance with each other’

The artist talks about tigers, tarot cards, the vast carpet she made for this year’s Art Cologne a...

Joan Jonas: ‘I often went to magic shows as a child, and the idea of mag...

Joan Jonas talks about her multidisciplinary installation works currently on show at Tate Modern and...

Glasgow International Festival 2018

The largest festival for contemporary visual art in Scotland, the eighth Glasgow International, unde...

Inti Guerrero – interview: ‘I am trying not to fall into the cultural ...

Inti Guerrero, curator of this year’s EVA International, Ireland’s biennial, talks about how the...

Fashioned from Nature

As environmental changes affect more areas of the world, our lifestyles need to be more sustainable....

David Shrigley: ‘The quality of the work for me is about avoiding contri...

David Shrigley talks about his large-scale installation Life Model II at Fabrica Gallery in Brighton...

Mariele Neudecker: ‘I get labelled as a climate change artist at times, ...

Bristol based artist Mariele Neudecker talks about how Cern inspires her, why you shouldn’t call h...

Nancy Fouts: ‘I once made a slingshot out of Jesus and had his head worn...

Nancy Fouts brings her trademark baroque theatricality, dada mischief and love of a good pun to Flow...

Emil Nolde: Colour Is Life

With a riot of vibrant colours, German expressionist painter and printmaker Emil Nolde brings to lif...

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