Mark Fox, interview

Mark Fox, who was brought up as a Catholic, has issues with certain of the religion’s doctrines an...

Frieder Nake, interview

Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...

Intersection: International Art and Culture

In celebration of its 25th anniversary, the Arthur M Sackler Museum of Art and Archaeology at Peking...

Bao Pei, interview

Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...

Alex Prager: Silver Lake Drive

Prager revels in cliche and it is clear from the large Technicolor photographs and the handful of fi...

Cui Xiuwen (1967-2018)

Cui Xiuwen, one of the most important avant-garde artists from China, passed away yesterday, leaving...

Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...

The artist talks about The Eclipse, an installation comprising thousands of paper kites, and Never C...

Ardan Özmenoğlu: ‘For me, repetition is the only way that you can reac...

The Turkish artist known for her distinctive works with Post-it notes talks about how she turns them...

Leonor Antunes: ‘I’m interested in ancient ways of doing things’

The sculptor talks about learning traditional crafts, the Smithsons’ Solar Pavilion, creating an e...

Henry Skerritt and Margo Smith talk about the Kluge-Ruhe Aboriginal Art Co...

With more than 1,900 works, the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia i...

Venice Architecture Biennale 2018

The 16th Architecture Biennale focuses on freespace – in which buildings are engaging, inclusive a...

Mark Wallinger: ‘I’m reversing what happens at Madame Tussauds’

The Human Figure in Space returns this Turner Prize-winning British artist to his longstanding inter...

Manifesta 12

The latest edition of the roving European biennial is a sensitively selected reflection on the natur...

David Chipperfield: ‘Architecture shouldn’t exist on its own. There is...

Fresh from his transformation of the Royal Academy of Arts, David Chipperfield talks about architect...

Alicia Kopf: ‘My idea is to appropriate polar history to a present-day s...

Catalan artist Alicia Kopf has won acclaim for her novel Brother in Ice, which sits at the pinnacle ...

Teresa Lawton: Tipping the Balance

Lawton’s paintings are inspired by her love of Dorset, where she explore the shapes and colours of...

Shelley Himmelstein: Soccerscapes – Fifa World Cup Series; Michael Sorga...

Gallery director Randall Harris explains how this double show came about, while Himmelstein talks ab...

Patrick Heron

Patrick Heron’s postwar abstraction places figure and ground on an equal footing and exploits the ...

Bodys Isek Kingelez: City Dreams

From individual buildings to large cityscapes, all the sculptures in this first US retrospective of ...

Ruimteveldwerk: ‘It is more like an understatement that creates an exper...

A social experiment investigating themes of being offline, privacy, and silence in the city brings a...

Jene Highstein: Space and Place

Deborah Najar’s carefully considered and sensitive choice of Highstein’s works is accompanied by...

Joana Vasconcelos: I’m Your Mirror

Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...

John Powers: ‘Abstraction isn’t a technology or technique, it’s more...

Responding to the history of the city of Bruges, John Powers’ 15-metre-tall steel tower was constr...

Bruges Triennial 2018: Liquid City

For the duration of the summer, visitors to the liquid city of Bruges are invited to ponder a more m...