Thierry Oussou: ‘I would like the discourse that I am developing in my w...
The Benin-born artist Thierry Oussou reflects on his artistic practice, the need for repatriation of...
This major retrospective of the work of Thomas Bayrle brings together works from the past 50 years a...
Patricia Guzman’s expertly executed realism makes her paintings appear photographic, as she docume...
In a riveting, large-scale work called Moss Ball: A Meditation on the Overview Effect (2018), E.V. D...
Tania Kovats and Kimathi Donkor discuss drawing practice and education
After the pop-up symposium Lines of Thought at Trinity Buoy Wharf, the new partner for what was form...
Tai Xiangzhou is committed to a traditional lexicon, his ink paintings magnificent, deeply indebted ...
Chinese artist Cui Xiuwen died in Beijing, where she was based, on 1 August, at the age of 51, after...
Mark Fox, who was brought up as a Catholic, has issues with certain of the religion’s doctrines an...
Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...
Intersection: International Art and Culture
In celebration of its 25th anniversary, the Arthur M Sackler Museum of Art and Archaeology at Peking...
Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...
Tacita Dean: Woman With a Red Hat
Centred around the theme of “performance”, this show cleverly connects the art, film and theatre...
Alex Prager: Silver Lake Drive
Prager revels in cliche and it is clear from the large Technicolor photographs and the handful of fi...
Cui Xiuwen, one of the most important avant-garde artists from China, passed away yesterday, leaving...
Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...
The artist talks about The Eclipse, an installation comprising thousands of paper kites, and Never C...
Ardan Özmenoğlu: ‘For me, repetition is the only way that you can reac...
The Turkish artist known for her distinctive works with Post-it notes talks about how she turns them...
The Dulwich Picture Gallery examines the vibrant world of Edward Bawden with a typically joyous exhi...
Leonor Antunes: ‘I’m interested in ancient ways of doing things’
The sculptor talks about learning traditional crafts, the Smithsons’ Solar Pavilion, creating an e...
Henry Skerritt and Margo Smith talk about the Kluge-Ruhe Aboriginal Art Co...
With more than 1,900 works, the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia i...
Venice Architecture Biennale 2018
The 16th Architecture Biennale focuses on freespace – in which buildings are engaging, inclusive a...
Mark Wallinger: ‘I’m reversing what happens at Madame Tussauds’
The Human Figure in Space returns this Turner Prize-winning British artist to his longstanding inter...
Chance and Control: Art in the Age of Computers
This beautifully curated display includes work from the pioneers of digital art of the 1950s and 60s...
The latest edition of the roving European biennial is a sensitively selected reflection on the natur...
David Chipperfield: ‘Architecture shouldn’t exist on its own. There is...
Fresh from his transformation of the Royal Academy of Arts, David Chipperfield talks about architect...
Alicia Kopf: ‘My idea is to appropriate polar history to a present-day s...
Catalan artist Alicia Kopf has won acclaim for her novel Brother in Ice, which sits at the pinnacle ...
Teresa Lawton: Tipping the Balance
Lawton’s paintings are inspired by her love of Dorset, where she explore the shapes and colours of...
In a bold juxtaposition with works by Paul Klee, the oil paintings, poems, carpets and tapestries of...
Shelley Himmelstein: Soccerscapes – Fifa World Cup Series; Michael Sorga...
Gallery director Randall Harris explains how this double show came about, while Himmelstein talks ab...
Patrick Heron’s postwar abstraction places figure and ground on an equal footing and exploits the ...
Bodys Isek Kingelez: City Dreams
From individual buildings to large cityscapes, all the sculptures in this first US retrospective of ...