At Altitude

With its focus on the aerial image, At Altitude puts our terrestrial world into perspective with a b...

Dorothea Lange: Politics of Seeing

A photographer of fierce resolve and compassion, Dorothea Lange knew how to capture the very essence...

Katharina Sieverding: ‘I also make fake news’

Part of the collateral programme of this year’s Manifesta Biennial in Palermo is a career-spanning...

Theaster Gates: Black Madonna

Gates hopes to challenge and confront the prevailing European narratives of racial and religious aut...

Giacometti

This thoughtful and revealing survey of an artist the Guggenheim exhibited in 1955 with Giacometti...

Beyond Ophelia: A Celebration of Lizzie Siddal, Artist and Poet

Best known as Millais’ Ophelia, Lizzie Siddal was a Pre-Raphaelite artist and poet in her own righ...

Samaneh Moafi of Forensic Architecture: ‘We are taking something that is...

Forensic Architecture has never designed a building. Instead, it acts as an architectural detective ...

Alex Mirutziu: ‘I’m interested in error, misunderstanding, correction...

The Romanian artist talks about his latest exhibition, examining the life and work of Iris Murdoch, ...

Baldwin and Guggisberg: ‘If you’re not in a white cube it forces you t...

Having just installed 10, mostly blown-glass pieces around Canterbury Cathedral for their exhibition...

True Colours: Helen Beard, Sadie Laska and Boo Saville

True Colours, curated by Damien Hirst for his Newport Street Gallery in London, shows works by Beard...

Boo Saville: interview

Saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up clos...

Sadie Laska: interview

New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills int...

Thomas Cole: Eden to Empire

A fresh look at the paintings of British émigré Thomas Cole reveals some eerily relevant messages ...

Whitstable Biennale 2018

Surreal, witty and at times unsettling, Whitstable Biennale 2018 is full of surprises...

Catherine Parsonage: ‘I wanted to break things apart, let everything be ...

The artist talks about how living in Rome has changed her work, why she is so interested in bodily f...

Eve Fowler: ‘Stein’s work really affected me’

The artist talks about her latest exhibition, What a slight, what a sound, what a universal shudder,...

Manuel Mathieu: ‘Life experience sometimes forces you to see things that...

The Haitian artist talks about coming to terms with his country’s turbulent history and some perso...

James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...

James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...

Junya Ishigami: Freeing Architecture

In his attempts to untether architecture from well-worn conventions, the Japanese architect liberate...

August Sander: Men Without Masks

Taken together, the portraits shown here, captured by the German photographer between 1910 and 1931,...

Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’

Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...

David Cross: ‘Art is what fills the gap between how the world is and how...

A reader at the University of the Arts London, Cross talks about his struggle to persuade the univer...

Kerstin Brätsch_Ruine / Kaya_Kovo

Brätsch is an artist who works in the afterlife of modern painting, upending its history and mythol...

Phyllida Barlow: ‘It’s the first time I’ve experienced making someth...

As her first permanent artwork, Quarry is unveiled at Jupiter Artland, outside Edinburgh, Barlow tal...