Archive - Results from #1380

Published 30/11/-0001

Fernand Léger – New Times, New Pleasures

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Fernand Léger. ABC, 1927. Gouache on paper, 19.4 x 27.8 cm. Tate: Presented by Gustav and Elly Kahnweiler 1974, accessioned 1994. © ADAGP, Paris and DACS, London 2018.

Fernand Léger – New Times, New Pleasures

Léger is regarded as the father of pop art and, despite his harrowing experiences during the first ...

Mariko Mori performing Oneness in the Moongate Garden of the Sackler Gallery, Washington DC, 16 November 2018.

Mariko Mori: Oneness

The Moongate Garden at the Sackler Gallery provided a magical backdrop for Mariko Mori’s performan...

Rafael Lozano-Hemmer: Pulse

In this fascinating show, large-scale immersive installations track visitors’ heartbeats and trans...

Emma Hart, Mamma Mia!, 2017. Installation view, The Fruitmarket Gallery, 2018. Collezione Maramotti, Reggio Emilia, Italy. Photo: Ruth Clark.

Emma Hart: Banger

In a playful, rebellious show that explores the sinister and surreal of the everyday, the London-bas...

Gordon Matta-Clark creating Garbage Wall under the Brooklyn Bridge in 1970. © The Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York. Courtesy The Estate of Gordon Matta-Clark and David Zwirner.

Gordon Matta-Clark: Works 1970-1978

Using films, photo collages and reconstructions, this show brings back to life the pioneering work o...

Robyn Denny: Paintings from the 1960s

Roche Court’s presentation of Robyn Denny’s mysterious and enigmatic 60s abstract paintings runs...

Maggi Hambling. Sebastian Horsley VIII, 2011. Oil on canvas. © Maggi Hambling.

The Quick & the Dead

This exhibition brings together the works of a formidable group of artists whose friendship has insp...

Christo in his studio with a preparatory drawing for The Mastaba, 2012. Photo: Wolfgang Volz. © 2012 Christo.

Christo: ‘Art is useless’

Famed for wrapping massive structures and sculptures built from oil drums, Christo, who collaborated...

Pierre-Auguste Renoir and Jean Renoir. Photo taken by Pierre Bonnard, c1916. Proof on albumen paper from a gelatin silver bromide soft film negative, 40 x 34 cm. Paris, Musée d'Orsay. Photo © Musée d'Orsay, Dist. RMN-Grand Palais / Patrice Schmidt.

Renoir Father and Son: Painting and Cinema

An exhibition exploring the shared motifs, subjects and settings of paintings and films by Pierre-Au...

OMA’s Norre Tornen, Stockholm. Photo © Laurian Ghinitoiu Oscar Oma.

The sky’s the limit: OMA and Bjarke Ingels reinvent Stockholm’s reside...

With two new luxury blocks of flats, OMA and Bjarke Ingels Group have added their architectural sign...

Thomas Gainsborough. Mary and Margaret Gainsborough, the Artist’s Daughters, c1760–61.  Oil on canvas, 40.6 x 58.4 cm. Victoria and Albert Museum, London.

Gainsborough’s Family Album

The National Portrait Gallery introduces us to Thomas Gainsborough’s colourful family in a beautif...

Bruce Nauman. All Thumbs, 1996. Plaster, component A: 10 × 5 1/2 × 4 in (25.4 × 14 × 10.2 cm); component B: 9 1/2 × 4 × 4 1/4 in (24.1 × 10.2 × 10.8 cm). Private collection, courtesy Sperone Westwater, New York. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo courtesy the artist and Sperone Westwater, New York.

Bruce Nauman: Disappearing Acts

This retrospective helps us understand Nauman as an artist who turns attention to himself, his body ...

Funda Gül Özcan. Photo: Stephanie Rumberger.

Funda Gül Özcan: ‘I was like a sponge to soak up their tears’

Özcan talks about her recent installation at a bar in Graz, extraterrestrials, the Kosovo war, artw...

Miguel Branco. Untitled (Unicorn). Polymer clay, wood and metal wires. Collection Victor Pinto da Fonseca. Courtesy Jeanne Bucher Jaeger, Paris. © Miguel Branco, Fred NS.

Magical Unicorns

Throughout history, unicorns have borne the power of intrigue and attraction, and this brief chronol...

Michelangelo Pistoletto. Donna con lampada, 1974. Silkscreen on polished stainless steel, 125 x 125 cm (49 1/4 x 49 1/4 in). Courtesy Mazzoleni.

Michelangelo Pistoletto: Origins and Consequences

A well-defined exhibition at Mazzoleni, London, trains its eye on Michelangelo Pistoletto’s incipi...

Lotte Laserstein. Russian Girl with Compact, 1928. Oil on panel, 31.7 x 40 cm. Städel Museum, Frankfurt am Main. Photo: Städel Museum – Artothek. © VG Bild-Kunst, Bonn 2018.

Lotte Laserstein: Face to Face

Lotte Laserstein was a rising star of Weimar Berlin, forced to leave her country and abandon her art...

Ivory plaque of a lioness mauling a man. Ivory, gold, cornelian, lapis lazuli, Nimrud, 900BC – 700BC. © The Trustees of the British Museum.

I am Ashurbanipal: King of the World, King of Assyria

I am Ashurbanipal tells the story of an educated Assyrian king with a brutal streak...

Otto and Paula Modersohn sitting in the garden on the bench, c1904. Photo: © Paula Modersohn-Becker Foundation.

Paula Becker and Otto Modersohn: Art and Life

A tender testament to the relationship of two artists, whose lives and work are inextricably linked,...

Andy Warhol. 129 Die in Jet! 1962. Acrylic and pencil on canvas, 100 x 72 in (254 x 182.9 cm). Installation view, photo: Jill Spalding.

Warhol: From A to B and Back Again

The Whitney’s pantheon exhibition, of close to 300 works, sidelines Andy, the pop artist marketed ...

JW Anderson Autumn Winter 2018 campaign. Photograph courtesy of Julie Greve.

Julie Greve: ‘I don’t like shooting models. They are taught so quickly...

The recent art-school graduate, who was selected to photograph this season's campaign for standout B...

Pepe López: ‘When it comes to exile, we keep all memories in the same p...

The Venezuelan artist recounts packing a life into a suitcase, the potency of objects in evoking the...

Andreas Lolis. Untitled, 2018. © PanosKokkinias, Courtesy NEON.

Andreas Lolis: ‘I’m not working with marble, I’m conversing with it...

Lolis talks about why he uses marble to sculpt bin bags, wooden crates and other mundane items, in r...

John Waters, Playdate, 2006 (foreground). Silicone sculpture of Michael Jackson and Charles Manson. Installation view, The Bunker Artspace, West Palm Beach, Florida. Photo: Jill Spalding.

The Bunker Artspace – Art as autobiography

Given a test run last autumn and reopening on 2 December, The Bunker, a private venue fronting the c...

Edward Burne-Jones

Burne-Jones may not appeal to the contemporary art world, but Tate Britain’s survey proves there...

Otobong Nkanga talking to Studio International at the opening of Artes Mundi 8, National Museum Cardiff, 25 October 2018. Photo: Martin Kennedy.

Otobong Nkanga, interview, Artes Mundi 8

Otobong Nkanga talks about her inspirations for the works on show at Artes Mundi 8, and her enduring...

Santiago Sierra. South Pole Documentation, 2015. Ditone archival print on Hahnemuhle Photo Rag. Courtesy of Santiago Sierra Studio & a/political.

Santiago Sierra: Black Flag

This immersive installation documents Sierra’s provocative planting of black flags – symbol of t...

Artes Mundi 8, National Museum Cardiff, 2018. Photo: Polly Thomas.

Artes Mundi 8 Prize and Exhibition

The artists shortlisted for Artes Mundi 8 aim to stir our consciences on everything from abuse of th...

Anna Boghiguian talking to Studio International at the opening of Artes Mundi 8, National Museum Cardiff, 25 October 2018. Photo: Martin Kennedy.

Anna Boghiguian, interview, Artes Mundi 8

Anna Boghiguian talks about her travels and research for A Meteor Fell from the Sky, the founding of...

Yayoi Kusama. INFINITY MIRRORED ROOM - MY HEART IS DANCING INTO THE UNIVERSE, 2018. Wood and glass mirror room with paper lanterns, 304 x 622.4 x 622.4 cm (119 5/8 x 245 1/8 x 245 1/8 in). © Yayoi Kusama. Courtesy Ota Fine Arts, Tokyo / Singapore / Shanghai and Victoria Miro, London / Venice.

Yayoi Kusama: The Moving Moment When I Went to the Universe

In the 60s, Kusama was a pioneering artist, but it’s hard not to feel that this show, with its hyp...

Rainer Fetting, Prophet at the Sea of Galilee, 2007. Oil on canvas, 210 x 160 cm. Photo: Kerstin Müller, Ute Oedekoven.

A New Spirit Then, A New Spirit Now, 1981-2018

Revisiting a seminal exhibition from nearly four decades ago, curator Norman Rosenthal presents 15 p...

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