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When a black mark is placed on a white paper, both paper and pigment immediately become transformed....
To commemorate the life and career of Lucian Freud, and coinciding with the National Portrait Galler...
Studio International is published by the Studio International Foundation, PO Box 1545, New York, NY ...
Carlos Amorales: La Lange des Morts
In the Parisian springtime, an exhibition about death, and its symbolic representation, seems at fir...
Alvar Aalto and the Sustainable Nordic House
45 years ago, Alvar Aalto was commissioned by the Nordic Council of Ministers to design the Nordic H...
The lucrative relationship between celebrity and commerce is assumed in an age of branding and image...
The Armory Show: A Personal View
Art fairs are not places conducive to the contemplation of works of art, nor do they necessarily cla...
Late Modern or Postmodern? New Architecture by Trevor Dannatt
Comparisons and parallels will inevitably be drawn about this new, and very private house designed b...
Mary Heilmann: Visions, Waves, and Roads
Aside from a spate of regurgitated press releases, art critical attention to The Indiscipline of Pai...
The current exhibition of Lucian Freud at the National Portrait Gallery is quite awesome and unmissa...
Paris in the springtime, more than any other city perhaps, compels its visitors and natives to dance...
David Hockney: A Bigger Picture
David Hockney: A Bigger Picture at the Royal Academy provides a feast of colour in mid-winter, and a...
A Walk Down One Fashion Magazine
Fashion appears to be a momentary phenomenon. With a click of the shutter, the moment is gone and th...
Paul Cézanne was a man of contradictions. As an artist he took an unconventional approach to drawin...
Celebrating Life at The Chelsea Hotel with Painter David Remfry
British-born painter David Remfry is one of the last holdouts at the legendary Chelsea Hotel in Manh...
Masters of Venice: Renaissance Painters of Passion and Power from the Kuns...
Aside from the sheer magnificence and technical bravura of the paintings themselves, one of the most...
Lygia Pape once said that her primary interest, when she embarked upon a career in the arts in the e...
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950-1...
With its iconic architectural silhouette atop the hills of Los Angeles and its status as one of the ...
Building The Revolution: Soviet Art and Architecture 1915-1935
The arrival point at the Royal Academy Courtyard off Piccadilly, first glimpsed through the Classica...
Youth and Beauty: Art of the American Twenties
The exhibition includes 138 paintings, sculptures and photographs by 67 artists produced between 192...
The Pompidou's Munch retrospective entitled L'œil moderne stares defiantly at the Norwegian's life ...
The Steins Collect. Matisse, Picasso and the Parisian Avant-Garde
When Leo Stein settled in Paris in late 1902 it was with the same romantic intention, as so many bef...
The Mystery of Appearance: Conversations Between Ten British Post-War Pain...
Contemporary online art journal with reviews, analysis and comment...
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Pipilotti Rist – Eyeball Massage
Once upon a time there was a girl called Elisabeth Charlotte Rist who was born in the Alps of Switze...
Giorgio Vasari: Dessins du Louvre
This winter, in celebration of the five hundredth centenary of Giorgio Vasari's birth, the Louvre op...
Can Architects Draw? Architects Sketchbooks
This extensive compendium reaches for a definition of this fundamental process and mental tool avail...
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