A Symphony of Colours and Shapes: Color Moves: Art and Fashion by Sonia De...
Color Moves: Art & Fashion by Sonia Delaunay gathers more than 300 examples of garments and textiles...
I Know Something About Love, curated by Ziba Ardalan for Parasol Unit, comprises works by four inter...
Home of the Future, one of the prominent and current projects by Laboratory for Visionary Architectu...
In John Hoyland’s paintings from the 1960s, thick crisply defined blocks of paint dominate the can...
Egon Schiele: Self-Portraits and Portraits
The short life of Egon Shiele (1890–1918) has fascinated historians, critics and artists for many ...
There is a lot more to Mary Kelly’s work than just dirty nappies. Nevertheless, no retrospective w...
Kapoor, who represented Britain at the Venice Biennale in 1990, won the Turner Prize in 1991, and wa...
Romantic Moderns: English Writers, Artists And The Imagination From Virginia Woolf To John Piper By...
The Thinking Hand: Essential and Embodied Wisdom in Architecture
One of the distinguished Finnish protagonists involved in the restoration project is the author of t...
Misericord: Cathie Pilkington and Jay Cloth
Based in south-east London, the artist-run Space Station Sixty-Five (SS65) has been co-directed by a...
British Art Show 7: In the Days of the Comet
Time is a man-made concept; as such it can be mapped, manipulated, reflected on. While much contempo...
Billy Childish: The Disruptive Betterment of Culture
Billy Childish (born Steven John Hamper, 1959, Chatham, Kent) has been variously described as a...
Show, curated by Sarah Williams, is the fourth in this series of Jerwood Encounters exhibitions,...
Shiro Kuramata and Ettore Sottsass
For the first time works by the visionary Japanese interior designer Shiro Kuramata and his life-lon...
Picasso: Guitars 1912-1914 at Museum of Modern Art, New York 13 February–6 June 2011...
George Shaw: The Sly and Unseen Day
George Shaw has been working away since 1996 at least, and this new show brings his paintings in par...
The Chinese artist Ai Weiwei, with his Sunflower Seeds exhibition, has set a mind-twisting game in t...
art + soul at the Art Gallery of New South Wales (AGNSW), Sydney, Australia, explores the diversity ...
In his preface to the catalogue for Poussin Gallery’s current exhibition, High Abstract, Mel Goodi...
Bill Viola: The Quintet of the Unseen
In Bill Viola’s piece The Quintet of the Unseen, exhibiting at Blain Southern, one can see a simil...
Louise Bourgeois, Tracey Emin: Do Not Abandon Me
When French-born American artist Louise Bourgeois handed over her set of 16 gouache male and female ...
Since the 1980s Mexican artist, Gabriel Orozco has been making “work” – and it can only be des...
Grayson Perry: Visual Dialogues
Perfectly turned out in a pink and green satin dress, with matching hair ribbons and boldly rouged c...
The Life of the Mind: Love, Sorrow and Obsession
As the culmination of a 16 month residency at the New Art Gallery, Walsall, Bob and Roberta Smith, t...
For Thomas More, ideal living arrangements were those that promoted the opening up of private life a...
ANALOG: Trends in Sound and Picture
The questions raised here are questions explored in the exhibition entitled Analog: Trends in Sound ...
The word “Baroque” springs to mind when trying to find an apt word to describe Modern British Sc...
An essay on sculpture. Studio International, 1969, Volume 177, No 907: 12-...
The emergence of a kind of sculpture in the last few years that is distinguished from previous sculp...
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