Arctic dreams and climate change. High Arctic: Matt Clark (UVA) and Cape F...
While the Arctic affords us an intense phenomenological experience, the eroded condition of its glac...
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Although the works on display have all been produced within the past year, allegedly in secrecy from...
Eyewitness: Hungarian Photography in the 20th century
Brassaï, Capa, Kertész, Moholy-Nagy, Munkácsi
The Sackler Wing of Galleries, Royal Academy o...
In the introductory notes to the exhibition Frida Kahlo & Diego Rivera: From the Gelman Collection, ...
The Omnipotent Magician: Lancelot
The cultural significance of Lancelot Brown, the Northumberland-born 18th-century landscape designer...
Homage to Michael Spens. The Royal Academy Summer Exhibition, 2011
The Royal Academy Summer Exhibition is, and always has been, a major event, a showcase of recent wor...
When is a Pavilion not a Pavilion? Can it not be a seasonal construction? What does it contain? Pete...
Royal Academy of Arts Summer Exhibition 2011: Architecture Room
The Architecture Room is a longstanding and traditional part of the Summer Show and is open for exhi...
Studies in Form. Roberto Capucci: Art into Fashion
For those who did not have an opportunity to view the spring/summer 2011 retrospective of Italian fa...
On Top of Two Empires – Xu Longsen
Xu Longsen: On Top of Two Empires, opened at the Museum of Roman Civilization in Rome on the summer ...
Georg Baselitz: Between Eagles and Pioneers
In 1963, the conservative German newspaper, Die Welt, was one amongst several to vehemently object t...
Alvar Aalto Library In Vyborg: Saving A Modern Masterpiece
The finale to the long-running course of action to save this historic modernist masterpiece did not ...
Under the name of the biblical beast Leviathan, Anish Kapoor has devised a giant inflated structure ...
An Entirely Fresh View of Contemporary French Art
Willem de Kooning observed that although Marcel Duchamp had links to the Cubists, Surrealists, Dadai...
The Dark Side of Love. Alexander McQueen: Savage Beauty
For English fashion designer Alexander McQueen (1969...
Joan Miró: The Ladder of Escape
Long awaited, the first large-scale Miró exhibition in Britain for 50 years does not disappoint; it...
The undoubted architectural event of 2011 has been this selection of key items from the Stirling Arc...
Rooms With A View: The Open Window in the 19th Century
The Metropolitan Museum of Art, New York, 5 April...
PINTA, The Latin American Art Fair
Following last year’s success, the second Latin American Art Fair, PINTA opens on Monday 6th June ...
The Shape of Things to Come: New Sculpture
Saatchi Gallery’s current exhibition, The Shape of Things to Come: New Sculpture. Showcasing works...
Drummond House, Meigle, Perthshire
The vernacular tradition of rural Britain has preoccupied the majority of builders, clients, archite...
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Ellen Bell: Camera Obscura and Other Stories
Ellen Bell’s work has all too often been side-lined as craft rather than art, and, indeed, the pai...
Enrique Martinez Celaya: The Cliff
The exhibition takes its name from one of its key works, The Giant Cliff (2010), and truth to tell i...
Anita Glesta, New York “Navigating Memory, the Universe and Nothing”
Born and raised in New York from a Russian/Polish Jewish family, Glesta sees herself as wholly a New...
Tom de Freston: Deposition, Christ’s College Chapel
Christ’s College, Cambridge celebrated the 500th anniversary (2010) of its consecration this Easte...
Polish born artist Gosia Wlodarczak completed a 12-day performative drawing in March this year for t...
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power 1...
This excellent catalogue, a survey of leading women artists from the late 20th century that examines...
Drawing Fashion: A Century of Fashion Illustration
Drawing Fashion: A Century of Fashion Illustration honours the art dealer Joëlle Chariau’s unique...
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