Heather Phillipson – interview: ‘I wanted to respond to the loaded pol...

With her sculpture THE END finally installed in Trafalgar Square, after a delay due to Covid-19, and...

Kate Mieczkowska – interview: ‘I have always loved being in front of a...

The artist talks about the development of her art practice and her curatorial debut, Goddess Now...

Yoko Ono: DREAM TOGETHER

The Metropolitan Museum of Art in New York reveals Yoko Ono’s new commission, created in response ...

Natacha Nisic – interview: ‘We needed a place for free expression, a v...

The French artist and film-maker Natacha Nisic talks about The Crown Letter, the international parti...

Li Qing: East of Eden

The Chinese artist Li Qing explores the tensions between east and west through the lens of architect...

Bill Brandt and Henry Moore – book review

The work of the photographer Bill Brandt and the sculptor Henry Moore first came together during the...

Gauguin and the Impressionists

Do we need yet another impressionist exhibition? This Royal Academy showcase of Denmark’s Ordrupga...

Pat Steir – interview: ‘I want the paint to make the painting, to make...

She discusses a new, candid documentary of her life, and talks about her art practice and the influe...

Bodily Objects

Seven artists interpret the sexuality of the female body in subversive and surreal ways...

Aliza Nisenbaum – interview: ‘I’ve found Zoom surprisingly intimate....

Nisenbaum is preparing for two exhibitions this year, one at Anton Kern Gallery in New York and one ...

Nicole Schoeni: ‘We wanted to look at the psychological effects of the p...

Schoeni discusses the challenges of curating an immersive group exhibition in a London townhouse dur...

Sarah Lucas: Honey Pie

One of the most infamous YBAs returns to London and Sadie Coles with an exultant, expressive refinem...

Hirose Satoshi: The Earth Is Blue Like a Lemon

The Milan-based Japanese artist’s solo exhibition invites visitors to think about differing cultur...

Nalini Malani – interview: ‘The future is female. There is no other wa...

Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now ...

Anish Kapoor

Anish Kapoor’s postponed exhibition at Houghton Hall opens as lockdown eases in the UK...

Toby Deveson – interview: ‘There is definitely a sense of seeking perf...

The photographer talks about his love of landscapes, his instinctive composition, and that elusive s...

Shirley Wu: hong kong artists, women

The San Francisco-based, data-driven creative Shirley Wu has designed a scrolling mountainscape that...

The Botanical Mind: Art, Mysticism and the Cosmic Tree

Taking our relationship with plants as its starting point, Camden Art Centre’s ambitious exhibitio...

Andrew Litten – interview: ‘I like the feeling that my work is emotion...

The artist talks about his concern with expressing human vulnerability and encouraging empathy and c...

Mami Kataoka – interview: ‘We need to look at long-term museum managem...

The director of the Mori Art Museum in Tokyo explains how it has used its online presence and social...

Sophie Taeuber-Arp

An online exhibition at Hauser & Wirth serves as a fine reintroduction to one of the interwar avant ...

Esther Teichmann: ‘My work explores our relationship to the maternal, th...

The artist talks about the inspiration of watery places, lockdown at her parents’ home and how mot...

David Blandy – interview: ‘The online world can be a space for transfo...

Blandy talks about his new films, produced during lockdown and made to be viewed at home, his use of...

Yuko Hasegawa – interview: ‘We built Olafur Eliasson’s exhibition wi...

The artistic director at the Museum of Contemporary Art in Tokyo was preparing a solo exhibition of ...