Trinity Buoy Wharf Drawing Prize 2020
This year, the 25th anniversary of the prize, the exhibition contains 71 works, many coloured by the...
Robert Smithson: Hypothetical Islands
With works largely drawn from the collection of his wife, Nancy Holt, Smithson’s hypothetical isla...
Exercising Freedom: Encounters with Art, Artists and Communities
Drawing on archival material, this fascinating exhibition looks at the Whitechapel Gallery’s pione...
Monica von Schmalensee – interview: ‘Architecture is an instrument for...
Von Schmalensee, former CEO and now partner of White Arkitekter, has advised the Swedish government ...
Art by Remote: Art Basel Miami Beach
With the Miami Beach Convention Center turned into a Covid-testing site, taking ABMB meta, Miami’s...
Susie MacMurray – interview: ‘A feather is never just a feather, and a...
Susie MacMurray talks about how she uses art to raise questions rather than make statements, and abo...
A compact, but rich exhibition at the National Gallery finds moral transgression at the core of west...
A mid-career survey of the Brussels-based Scottish artist conceals big questions in illusionistic ma...
Kai Althoff Goes With Bernard Leach
Juxtaposing a sprawling selection of Althoff’s works with a tribute to British studio pottery, the...
Emily Jacir – interview: ‘I wanted the locals to show me what was impo...
The artist talks about her stone sculpture, Pietrapertosa, created as part of the Gardentopia projec...
Thao Nguyen Phan: Becoming Alluvium
Vietnamese artist Thao Nguyen Phan weaves moving image, lacquer work and watercolour paintings on si...
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London’s Arts Labs and the 60s Avant-Garde
From a naked man flinging himself into a giant jelly to a 24-hour piano recital to John Lennon and Y...
It is known as a showcase for critical, speculative and multidisciplinary design projects that make ...
Wiley’s first foray into depicts a scene of young black men in the sea, struggling to reach land. ...
This show explores the works of the fisherman-turned-artist who painted the souls of boats and inspi...
Eleanor Bartlett – interview: ‘When you see a great lump of tar, it’...
Eleanor Bartlett talks about why she favours working with bitumen, metal paint and wax and why colou...
Michael Armitage: Paradise Edict
The British Kenyan painter’s first institutional show demonstrates his remarkable development, whi...
Bruce Nauman’s work explores language and perception in a manner that is at times irksome or troub...
Toulouse-Lautrec and the Masters of Montmartre
This fantastic exhibition of belle époque posters, by Parisian artists who used developments in col...
Ali Kazim – interview: ‘When I picked up a pottery shard and it had so...
The artist talks about looking to ancient civilisations for inspiration, why he doesn’t like worki...
This lush, even glamorous exhibition is curated by Mel Bochner and comprises 18 works by himself, Al...
Arik Levy and Zoé Ouvrier – interview: ‘We definitely influence each ...
Ahead of their first joint exhibition, Beyond Nature, the artists talk about their relationship to n...
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Nicole Eisenman: Where I Was, It Shall Be
Nicole Eisenman’s first solo UK presentation for Hauser & Wirth Somerset showcases her large sculp...
Cybernetic Serendipity: The Computer and the Arts
To mark the 50th anniversary of this pioneering publication and exhibition, Cybernetic Serendipity: ...
Through film, sculpture, painting, costume and photography, this wild party of an exhibition celebra...
The Studio, Vol 1, No 1, April 1893
The Studio: An Illustrated Magazine of Fine and Applied Art was first published in April 1893. It in...
Ann Veronica Janssens — interview: ‘I try to make visible the invisibl...
The Belgian artist discusses her perception-bending work, currently on display at the South London G...
Is the message of Rashid Johnson’s new show helped or hindered by the repetitive motifs and elabor...
María Berrío: Flowered Songs and Broken Currents
The eight new works here began as a project about a fictional village and its response to tragedy, b...
Royal Academy of Arts Summer Exhibition 2020
For the first time ever, the Summer Exhibition falls in autumn and winter, but the RA’s galleries ...
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