Ilona Szalay: Some Are Born to Sweet Delight, Some Are Born to Endless Nig...
Szalay points to the injustices in society, and in her paintings of women bound and petrified as sta...
Anthony Whishaw – Works on Paper
This accessible and entertaining book by Richard Davey focuses on the 90-year-old artist’s long-fo...
Hetain Patel – interview: ‘What does it do growing up to see that the ...
Known for performance art that mixes superheroes such as Spider-Man with the Gujarati traditions of ...
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Clae Eastgate – interview: ‘I want my portraiture to be that bridge, t...
The artist talks about her project Painting the Poets, comprising a growing collection of portraits ...
Matthew Burrows – interview: ‘I think as an artist and I make as a pai...
The artist talks about his strategies for thinking about painting, how his long-distance running is ...
David Downes – interview: ‘Through the adversity, I thought this is so...
David Downes talks about his project of documenting the Covid-19 pandemic and how his autism feeds i...
Studio Morison – interview: ‘MOTHER … was made to heal us now, to pr...
The artists talk about their site-specific, timber and straw commission, MOTHER …, for Wicken Fen,...
Tom de Freston – interview: ‘Painting by its very nature is an act of ...
For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years...
Mark Titchner – interview: ‘Language is how we relate to the world, th...
His text-based work Please Believe These Days Will Pass has formed a key part of the UK’s early lo...
An online exhibition of new net art critiques the digital networks we have become so reliant on duri...
The Bulgarian-born artist famed for wrapping massive structures, great bodies of water and chunks of...
Lonnie Holley – interview: ‘I started doing my work with a knife, fork...
Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment...
Digital and networked art in lockdown: how can we be creative in new ways?
Unable to open to the public, museums and galleries have been quick to offer virtual tours and exhib...
Revamped Kyoto City Kyocera Museum of Art is soon to reopen
The original 1933 building, a mix of traditional Japanese design and 1920s western architectural sty...
Ken Done – interview: ‘We white blokes could learn from collaboration ...
Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...
Robert Fitzmaurice – interview: ‘I started to truncate the figure a lo...
The artist talks about the work in his latest show, now postponed, his interests and influences – ...
Nanda Vigo, the multifaceted protagonist of postwar European arts, has died in Milan aged 83...
Hilarie Mais – interview: ‘I draw what I am working on as a way of und...
The artist talks about her abstract constructions, which lie partway between painting and sculpture,...
The effects of Covid-19 on Italian museums: interviews with the directors ...
As Italy tentatively enters a less restrictive phase of Europe’s longest lockdown, the leaders of ...
Alexandra Daisy Ginsberg – interview: ‘We need to radically rethink ou...
The coronavirus pandemic is a chance for people to ask how they can do better by nature, says Ginsbe...
This exhibition of works from Glasgow Museums’ collection explores the concept of domestic bliss, ...
Newling’s ecological artworks provoke questions about how we can work in harmony with nature and c...
Glasgow International 2020: Digital Platform
With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often ...
Helen Cammock – interview: ‘Creativity requires a space of idleness, o...
Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text instal...
Nicolaes Maes: Dutch Master of the Golden Age
The National Gallery charts the fascinatingly bisected oeuvre of Nicolaes Maes, whose early genre in...
Looking Up: Helaine Blumenfeld at Canary Wharf
The luxury corporate campus of Canary Wharf makes an unusual but strangely prescient setting for scu...
Cao’s first large-scale UK exhibition is a fantastical exploration of utopian and dystopian worlds...
The impact of Covid-19 on art critics
This essay, comprising conversations with UK-based critics looks at the effects of the Covid-19 pand...
Ostend’s master draughtsman oscillates between retreat and escape, nocturnal and diurnal, imbuing ...
Cecil Beaton: Bright Young Things
This thoughtfully designed exhibition tells the story of Cecil Beaton and the Bright Young Things pe...
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