The impact of Covid-19 on artists, part 5: the long-term outlook and the g...
In the final instalment of this five-part essay, comprising conversations with artists around the wo...
This is a long overdue survey of the British contribution to the surrealist movement...
Chung Sang-Hwa: Excavations, 1964-78
Chung was in the vanguard of Korean abstract painting in the 1960s and 70s and this show combines 11...
The impact of Covid-19 on artists, part 4: artistic responses to the coron...
In the fourth instalment of this five-part essay, comprising conversations with artists around the w...
Video walkthrough of this group exhibition at Goldsmiths Centre for Contemporary Art narrated by cur...
Covering the first decade of Rembrandt’s work, with more than 30 paintings and 90 drawings and pri...
The impact of Covid-19 on artists, part 3: building communities and findin...
In the third part of this five-part essay, comprising conversations with artists around the globe, w...
There is a great deal of death in this exhibition but, ultimately, it is an overwhelming lust for li...
The impact of Covid-19 on artists, part 2: self-isolation, moving online a...
In the second part of this five-part essay, comprising conversations with multiple artists around th...
The impact of Covid-19 on artists
This five-part essay, comprising conversations with multiple artists around the globe, looks at the ...
Sol Calero, Zora Mann and Shailesh BR at Villa Arson
Three new solo exhibitions resulting from artists’ residencies at Villa Arson explore architecture...
A personal message: Anita Glesta
Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New Yo...
Lygia Clark: Painting as an Experimental Field 1948-1958
Best-known for her sculptural and interactive later works, a survey of the first decade of the Brazi...
In the largest exhibition of Beardsley’s drawings for 50 years, we see evidence of his exquisite p...
From the archive: A New Illustrator – Aubrey Beardsley
This article was first published in The Studio, Vol 1, No 1, April 1893, pages 14–19...
From the archive: Aubrey Beardsley. In Memoriam.
Death has given Aubrey Beardsley the immortality of youth; and in future histories of illustration, ...
Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...
The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...
Featuring artists including Marilyn Minter, Derrick Adams and Wong Ping, the Savannah College of Art...
From an ancient forest to an Ikea stool, from musical instruments to makeup brushes, Andrea Trimarch...
-300.jpg)
Johanna Unzueta: Tools for Life
Unzueta’s films, drawings and huge felt installations weave together traditional Chilean needlewor...
Saraceno’s utopian visions for a future without fossil fuel or boundaries – and his admiration f...
Janet Laurence – interview: ‘White Australians didn’t have a way of ...
A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...
From rejecting cultivated gardens in favour of wild spaces to using traditional craft rather than mo...
-300.jpg)
Julijonas Urbonas: Planet of People
In this fascination fusion of art and science, the Lithuanian artist imagines sending visitors into ...
Hans Hofmann – Fury: Painting After the War
A concise exhibition at Bastian captures the German-American painter manoeuvring between modernisms,...
David Hockney: Drawing from Life
In the first major exhibition of David Hockney’s drawings for 20 years, a focus on just a handful ...
Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...
Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...
Climate in Crisis: Environmental Change in the Indigenous Americas
This exhibition documents the hardships faced by Indigenous people from across the Americas as a res...
Mary Weatherford: Canyon–Daisy–Eden
This first survey show for the artist features work from 1989 to 2015 and reveals the experimental n...
Studio International Yearbooks
These publications are a diverse collection of our most exciting exhibition reviews that have appear...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|