Helene Schjerfbeck

A striking study of the process of ageing and mortality, the central room of this three-gallery exhi...

Trevor Paglen — interview: ‘Everything is surveillance software at thi...

As he opens a new project at the Barbican Centre, the artist and critical geographer explains online...

Antony Gormley

There is metal everywhere in this engaging exhibition, which contrasts the gigantic with the minuscu...

Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and for...

The artist discusses her approach to objects and performance, to writing and performing, and to lang...

Julie Cockburn – interview: ‘My work is about telling the truth, but i...

At the opening of her latest show, Telling it Slant at Flowers Gallery, Cockburn talks about happy a...

Mona Hatoum: Remains to be Seen

This engaging exhibition, horrifying and humorous by turn, includes installation, sculptures and wor...

Garth Evans: But, Hands Have Eyes

You would probably learn more from a foot-high sculpture by Evans than the whole extravaganza that A...

Alexander Tovborg – interview: ‘If you jump, you don’t necessarily c...

The Danish artist mixes his paint with holy water. Here, he talks religion, irony and bringing myste...

AlanJames Burns: ‘I’m embedding the cave with an assumed consciousness...

Burns guides us around the cave where his latest installation is taking place and explains that, his...

Dóra Maurer

This is a fascinating insight into the joyous experimental work of this Hungarian-born artist, who s...

Jo Spence and Oreet Ashery: Misbehaving Bodies

This bold exhibition brings together two challenging female artists insistent on exploring identity ...

Roger Palmer – interview: ‘I have always treated photography as a form...

Following an exhibition based on Robinson Crusoe and a new book of photographs of South Africa’s d...

Fiona Tan: Disorient

Tan’s two-screen video installation is an unsettling look at the legacy of colonialism and a stark...

David Batchelor: My Own Private Bauhaus

Batchelor’s playful exploration of colour through sculpture, installation and painting pays tribut...

Nicoline van Harskamp – interview: ‘Once you start thinking about name...

Van Harskamp is a woman obsessed by language. Here she talks about people’s names, what she calls ...

Sammy Baloji – interview: ‘I’m not interested in colonialism as a th...

The Brussels-based Congolese artist talks about the past and present of colonialism and mineral extr...

Game, Set, Match: Three concepts of the artist’s book

An exhibition of artists’ books, including works by Yves Klein, Andy Warhol and Thomas Hirschhorn,...

Sohrab Hura – interview: ‘The only thing I can take responsibility for...

The photographer talks about his new book, Coast, and his aim of sucking viewers in with a narrative...

Fra Angelico and the Rise of the Florentine Renaissance

An exquisite exhibition at the Prado reveals the most joyous and serene of Italian artists as a pivo...

Michael Landy – interview: ‘The projects no longer exist, but they are...

The sociologically inclined Landy is creating an exhibition marking the 50th anniversary of the Kald...

Bertille Bak – interview: ‘The world of art is a territory capable of ...

At the Merz Foundation in Turin, on the occasion of its third art prize, Bertille Bak reflects on a ...

Leila Heller – interview: ‘The Upper East Side is hot again and I love...

Gallerist Leila Heller talks about showing Andy Warhol and Jean-Michel Basquiat in the 1980s, after ...

Anthony Luvera – interview: ‘Photography is a way of telling stories a...

Luvera is the editor of Photography for Whom?, a new journal focusing on community photography proje...

Heike-Karin Föll: Speed

In her first institutional solo show, the German artist plays on the fast fickleness of commodificat...