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Published  30/11/-0001
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Hello, Robot: Design Between Human and Machine

From Star Wars’ R2-D2 to a machine that produces compassionate messages for the dying, this is a c...

Edmund de Waal – interview: ‘The great thing about a library is that, ...

The British artist and author talks about his many exhibitions this year, including his work for the...

David Smith: Field Work

This is a compelling show that reminds us that, though known best for his welded-steel sculptures, S...

Danh Vo: Untitled

Gathering together constellations of objects and artworks, the Danish artist’s largest UK exhibiti...

Anthony Eyton – interview: ‘I’m still dealing with my mother’s ear...

Now 96, remarkably the Royal Academician’s latest show is full of recent paintings, which Frank Au...

Kudzanai-Violet Hwami - interview: ‘How I identify isn’t what pushes m...

The Zimbabwe-born, London-based artist talks about her new work for her solo show at Gasworks in Lon...

Now: Katie Paterson, Darren Almond, Shona Macnaughton and Lucy Raven

From Paterson’s exploration of deep time and the cosmos to Almond’s ethereal moonlit photographs...

Sidsel Meineche Hansen: Welcome to End-Used City

From sex dolls to data harvesting, the artist lays the blame for the digital-human disconnect square...

Lucian Freud: The Self-portraits

This exhibition of self-portraits across seven decades shows the artist at his most vulnerable...

Bridget Riley

This exhibition of work by the octogenarian painter shows everything from her earliest work to her m...

Garry Fabian Miller: Midwinter Blaze

Using early-19th century techniques, Miller works without a camera, experimenting with light to prod...

Mark Bradford: Cerberus

In his first exhibition at Hauser & Wirth London, the LA-based artist looks into the past to create ...

Nam June Paik

The inventiveness and curiosity of Nam June Paik is what shines through in this show of visionary wo...

Kiki Smith: I am a Wanderer

From the dreamlike worlds of her colossal tapestries to her printmaking and the photographs in which...

Laura Knight: A Working Life

This small but delightful display, comprising largely sketches from the RA’s collection, beautiful...

Still Undead: Popular Culture in Britain Beyond the Bauhaus

One hundred years since the founding of the Bauhaus school, this exhibition considers how it influen...

Alan Davie and David Hockney: Early Works

An exhibition of work by Alan Davie in Wakefield in 1958 was formative for the young David Hockney a...

Michael Simpson – interview: ‘Every single painting involves an elemen...

The artist discusses how going to a football match at the age of seven inspired him to start paintin...

Vienna Design Week 2019

From buildings to sustainable products to gaming technology, this year’s design festival proved a ...

George Stubbs: All Done from Nature

MK Gallery’s generous survey confirms the Liverpudlian Leonardo’s position as one of the 18th ce...

Michael Sherrill – interview: ‘I’d call myself a student of art’

Sherrill talks about his current retrospective at the Smithsonian’s Renwick Gallery, why he calls ...

MoMA Triumphant

The restored, expanded MoMA has opened its doors and it is a bold new vision...

Luigi Ghirri: Colazione sull’Erba

The haunting microcosm of north Italian suburbia as pictured by the matchless Luigi Ghirri is on dis...

Gauguin Portraits

The National Gallery’s autumn blockbuster posits the troublesome post-impressionist firebrand as a...

David Roberts Art Foundation’s Evening of Performances

Haroon Mirza, Jack Jelfs, Gaika and Hannah Perry were among nine international artists performing to...

Alberta Whittle: How Flexible Can We Make the Mouth

The Barbadian-Scottish artist explores her heritage and the legacy of Scottish involvement in the Br...

Stephen Dean: Rope and Anne Deleporte: Les Quatorze Meurtrières

Half-a-dozen works by Dean and two by Deleporte make up this stunning double exhibition by the New Y...

Enoc Perez – interview: ‘I’m trying to create my own little encyclop...

The New York-based painter discusses his new show, The Cinematic Self, at Ben Brown Fine Arts, his p...

Barry Flanagan

The hare dominated his practice to such an extent that it is often all he is remembered for, but thi...

David Nash – interview: ‘The world of nature, the environment, weather...

David Nash, the Welsh-based land artist, talks of his early years, the evolution of his process, the...

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