A Backward Glance: Giorgio Morandi and the Old Masters
The early 20th-century painter known for his devotion to still lifes is held up next to the artists ...
Luchita Hurtado: I Live I Die I Will Be Reborn
The 98-year old painter’s debut institutional exhibition showcases a lifetime of work that fuses t...
In its first Van Gogh exhibition since 1947, the Tate considers how British culture informed the art...
Raffi Kalenderian – interview: ‘It’s like banging your head against ...
For Kalenderian, painting is all about excitement. His radical portraiture – as much of the scene ...
With AI seeping into all our lives, the Barbican should be congratulated for tackling such a prescie...
Andrew Marr – interview: ‘Everybody is angry and upset. We’ve messed...
The broadcaster, writer and former BBC political editor talks about how his painting and drawing pra...
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In a two-part exhibition, the artist has used his trademark porcelain vessels, two buildings of grea...
The British Museum turns its attention to Japan’s distinctive medium of graphic storytelling, and ...
Petra Bauer – interview: ‘The crucial thing was to make sure the sex w...
Inspired by feminist film practitioners who emphasise the importance of making films with their subj...
Leonor Antunes: a seam, a surface, a hinge or a knot – Venice Biennale 2...
Leonor Antunes combines her sculpture and craft to open up conversations within architectural spaces...
This Is What It Is to Be Happy
What is it to be happy in an age where mental health problems are so prevalent? How can communing wi...
Keith Tyson – interview: ‘I’m quite happy for the world to seep thro...
The artist talks about the joys of scaling back, relearning the craft of painting, and why the flowe...
Renate Bertlmann: Discordo Ergo Sum – Venice Biennale 2019
Renate Bertlmann’s work is rooted in 1970s feminism, yet her message is entirely contemporary. She...
Milan Triennale XXII: Broken Nature – Design Takes on Human Survival
Under the stewardship of MoMA’s Paola Antonelli, the revitalised exhibition turns its eyes to our ...
Eva Rothschild: The Shrinking Universe – Venice Biennale 2019
Eva Rothschild’s installation in Venice’s Arsenale summons the spirit of infrastructure, rubble ...
Jock McFadyen – interview: ‘The Royal Academy Summer Exhibition doesn...
McFadyen, known for his urban landscapes and putting the marginal centre stage in his paintings, is ...
Sean Edwards: Undo Things Done – Venice Biennale 2019
Sean Edwards discusses growing up in a community with low expectations and expressing the most hones...
Edition 2019 looks great, goes wide and speaks loudly, but is it off mission? Lost in this bi-coasta...
Casey Reas – interview: ‘There is an increased understanding that soft...
Reas is known as the man who helped to create the open-source programming language Processing and br...
Motions of This Kind: Propositions and Problems of Belatedness
Three curators and 11 artists retell the colonial history of the Philippines through subjective and ...
Orson Welles: the graphic artist
A film and a book on Welles’s artwork provide another lens through which to observe one of cinema...
This year’s fair demonstrated a more open-ended approach than usual, exhibiting and promoting dive...
The digital artist Michael Takeo Magruder transforms urban maps from the British Library into data-d...
Lawrence Lek – interview: ‘AI could become the ultimate content creati...
Lek talks about artificial intelligence taking over from human creativity, and AIDOL, his feature-le...
Victor Wong – interview: ‘The human is inspired by the machine and the...
Artist-inventor Victor Wong talks about his robot artist AI Gemini, how he feels about his invention...
Nye Thompson – interview: ‘The bots are actually the primary audience ...
In her project The Seeker, a system of machines looking at images on screen, analysing them and whis...
Joanna Piotrowska: All Our False Devices
In this installation at Tate Britain, Piotrowska’s black-and-white photos and 16mm films of intima...
Embellished with sparkling gemstones and richly coloured tiles, Whitten’s memorial paintings on sh...
Artist Rooms: Self Evidence – Photographs by Woodman, Arbus and Mappleth...
In their intimate and groundbreaking portraits, Woodman, Arbus and Mapplethorpe dared to show the di...
Yorkshire Sculpture Park opens Weston visitor centre
A visitor pavilion by Feilden Fowles opens up an overlooked area of the 500-acre sculpture park. The...
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