Michael Landy – interview: ‘The projects no longer exist, but they are...

The sociologically inclined Landy is creating an exhibition marking the 50th anniversary of the Kald...

Bartolomé Bermejo: Master of the Spanish Renaissance

A display of paintings by Spanish Renaissance painter Bartolomé Bermejo forms a picture of religiou...

Bertille Bak – interview: ‘The world of art is a territory capable of ...

At the Merz Foundation in Turin, on the occasion of its third art prize, Bertille Bak reflects on a ...

Leila Heller – interview: ‘The Upper East Side is hot again and I love...

Gallerist Leila Heller talks about showing Andy Warhol and Jean-Michel Basquiat in the 1980s, after ...

Heike-Karin Föll: Speed

In her first institutional solo show, the German artist plays on the fast fickleness of commodificat...

Junya Ishigami’s Serpentine Pavilion

Perhaps this is an idea that looked good on paper, but with its dark slate roof and unstable-looking...

France-Lise McGurn – interview: ‘I think I’ve got a certain aestheti...

McGurn talks about motherhood, sleeplessness and strangeness in Glasgow, Berlin and Ibiza, and how t...

Ima-Abasi Okon

Old air-conditioning units, poor-quality ceiling tiles coated with ultrasound gel and gold – the u...

Milton Avery: The Late Portraits

Focusing on works done in the final four years of Avery’s career, these portraits depict the peopl...

Leo Warner – interview: ‘If you put the technology first, you can end ...

Warner, design director of multimedia visual artists and impresarios 59 Productions talks about coll...

Alberto Giacometti: A Line Through Time

This remarkable show traces Giacometti’s artistic career, displaying his works alongside those of ...

Issy Wood: All The Rage

Wood’s tragicomic paintings explore the apathetic alienation symptomatic of a networked, throwaway...

Botanic: National Amalgamation Project

Iranian artist Maryam Najd talks about her exhibition at the Arthur M Sackler Museum of Art and Arch...

Cut and Paste: 400 Years of Collage

This show explores the ways in which collage has been used to create work that is, by turns, playful...

Gustav Metzger – In King’s Lynn

This show of Metzger’s work, as part of the King’s Lynn Norfolk festival, looks at his years liv...

Hans Ulrich Obrist – interview: ‘This is an unusual Calder show becaus...

A major Alexander Calder exhibition at Centro Botín in Santander reveals about 80 of the great Amer...

Leonardo da Vinci: A Life in Drawing

The Queen’s Gallery showcases the Royal Collection’s superb archive of Leonardo da Vinci drawing...

Koen Vanmechelen – interview: ‘Now everyone is talking about diversity...

In a joint venture with the Belgian city of Genk, the artist Koen Vanmechelen has built a €22m eco...

Tess Jaray – interview: ‘Ways of being an artist have massively expand...

Jaray looks back at a career that has spanned more than 60 years and talks about the influence on he...

John Akomfrah: Ballasts of Memory

Akomfrah’s skill as a film-maker and visual storyteller shines through in this compelling show...

Olafur Eliasson: In Real Life

There are nearly 30 years of work in this retrospective, so it is to be hoped that, despite the show...

New Orleans Museum Unveils Sculpture Garden Expansion

Devastated by Hurricane Katrina in 2005, the sculpture garden now has a spacious new extension and a...

Ibrahim Mahama: Parliament of Ghosts

Through the use of old train seats and other salvaged materials, the Ghanaian artist tells a story o...

Félix Vallotton: Painter of Disquiet

The Royal Academy’s exhibition of Vallotton’s varied and strange work proves that some artists d...