Holly Hendry – interview: ‘I dabble between formalism and representati...

Just three years after leaving art school, Hendry has already had several high-profile shows. She ta...

Lucy Joyce – interview: ‘I’m not interested in the idea of spectacle...

With her six-month inaugural exhibition and a live Aktion ahead of the official opening, Joyce hopes...

Grayson Perry: Super Rich Interior Decoration

From the luxurious carpet depicting a homeless man to the Osprey handbag bearing the words ‘privat...

Power Night: the Launch of E-Werk Luckenwalde

It’s all about power – electricity and power relations – and this dynamic opening night for E-...

15th Lyon Biennale 2019

The 15th Lyon Biennale has an ambitious theme and a vast new additional venue. But can it live up to...

Mikhail Karikis – interview: ‘I have never cried during filming until ...

Karikis has filmed children, teenagers, elderly female pearl divers and others on the margins on soc...

Helene Schjerfbeck

A striking study of the process of ageing and mortality, the central room of this three-gallery exhi...

Trevor Paglen — interview: ‘Everything is surveillance software at thi...

As he opens a new project at the Barbican Centre, the artist and critical geographer explains online...

Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and for...

The artist discusses her approach to objects and performance, to writing and performing, and to lang...

Maria Pasenau – interview: ‘I made all these works through the prism o...

The young Norwegian photographer talks about fear, red devils, graveyards and reinvesting photograph...

Julie Cockburn – interview: ‘My work is about telling the truth, but i...

At the opening of her latest show, Telling it Slant at Flowers Gallery, Cockburn talks about happy a...

Mona Hatoum: Remains to be Seen

This engaging exhibition, horrifying and humorous by turn, includes installation, sculptures and wor...

Alexander Tovborg – interview: ‘If you jump, you don’t necessarily c...

The Danish artist mixes his paint with holy water. Here, he talks religion, irony and bringing myste...

Esther Pearl Watson – interview: ‘I really search out moments of awkwa...

The Los Angeles-based painter presents an offbeat world that reflects on a distinctly American kind ...

AlanJames Burns: ‘I’m embedding the cave with an assumed consciousness...

Burns guides us around the cave where his latest installation is taking place and explains that, his...

Dóra Maurer

This is a fascinating insight into the joyous experimental work of this Hungarian-born artist, who s...

Roger Palmer – interview: ‘I have always treated photography as a form...

Following an exhibition based on Robinson Crusoe and a new book of photographs of South Africa’s d...

Rachel Howard – interview: ‘I like to contradict myself, trip myself u...

The artist talks about her interest in madness and the edge of things and the five large-scale paint...

Fiona Tan: Disorient

Tan’s two-screen video installation is an unsettling look at the legacy of colonialism and a stark...

David Batchelor: My Own Private Bauhaus

Batchelor’s playful exploration of colour through sculpture, installation and painting pays tribut...

Sammy Baloji – interview: ‘I’m not interested in colonialism as a th...

The Brussels-based Congolese artist talks about the past and present of colonialism and mineral extr...

David Wojnarowicz: History Keeps Me Awake at Night

A comprehensive survey of the impassioned American artist and writer proves his relevance then and n...

Game, Set, Match: Three concepts of the artist’s book

An exhibition of artists’ books, including works by Yves Klein, Andy Warhol and Thomas Hirschhorn,...

Sohrab Hura – interview: ‘The only thing I can take responsibility for...

The photographer talks about his new book, Coast, and his aim of sucking viewers in with a narrative...