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Published  30/11/-0001
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Hockney – Van Gogh: The Joy of Nature

For those hoping to see the shared sensibilities and sensitivities of two of the world’s most famo...

Equilibrium: An Idea for Italian Sculpture

A striking exhibition presents works that examine and play with the notion and execution of equilibr...

Gerda Scheepers: Rooms

The Cape Town-based artist presents new work at Glasgow’s Mary Mary Gallery, creating a subversive...

Matheus Parizi – interview: ‘Artists are compelled more than ever to m...

Parizi talks about the current right-wing climate in Brazil, cuts to funding for the arts, and his n...

John Ruskin: The Power of Seeing

Marking the bicentenary of Ruskin’s birth, this exhibition, the first of many across the UK this y...

John Bellany and Alan Davie: Cradle of Magic

From his collection, Damien Hirst has produced a tribute to the passionate and visionary work of two...

Devan Shimoyama – interview: ‘I use my body to explore magic, mytholog...

His portraits consider the black, queer, male body from a personal perspective that is as informed b...

Martin Parr – Interview: ‘Britain is eternally fascinating … full of...

Documentary photographer Martin Parr’s latest exhibition, Only Human, at the National Portrait Gal...

The Armory Show 2019

From historical displays to recent works by relatively unknown artists, from performance to installa...

Katie Birkwood – interview: ‘The bodies of society’s disadvantaged, ...

The Royal College of Physicians’ exhibition of anatomical illustrations, from medieval times to th...

Julie Mehretu: Drawings and Monotypes

In these new works, Mehretu plunges the viewer into her phenomenological, immersive methodology and ...

Hew Locke – interview: ‘A lot of my work has to do with the burden of ...

Hew Locke discusses monarchy, nationhood, bigotry, boats, Brexit and the seductive silliness of TV...

Barby Asante – interview: ‘There was real pleasure running through the...

With Declaration of Independence at the Baltic, Asante makes space for womxn of colour to relate nar...

Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths |...

Drawings by four contemporary female artists explore notions of protest and remembrance, from anti-B...

Kip Gresham: The Art of Collaboration

This exhibition shows 40 years of work made by master printmaker Kip Gresham in collaboration with s...

Mary Griffiths – interview: ‘I extrapolate a drawing that has some res...

In Protest and Remembrance at Alan Cristea, with her large abstract works of plywood, acrylic gesso ...

Barbara Walker – interview: ‘From the moment I make the first mark, I...

Walker scours archives for images on which to base her drawings of black soldiers. She talks here as...

Joy Gerrard – interview: ‘I’m interested in how we witness and inter...

In her depictions of mass protests, Gerrard aims to make visible those who attend. For Protest and R...

Miriam de Búrca – interview: ‘The sites themselves are very charged: ...

With her detailed drawings of plants growing on the graves of Ireland’s excommunicates and other u...

Jan Tschichold and the New Typography

Drawing on materials Tschichold collected, this exhibition traces his influence on graphic design be...

A beautiful thing: Sauerbruch Hutton’s M9 Museum in Mestre opens

Italy’s first all-digital history museum, M9, has opened across from Venice. With its sleek, ceram...

Magdalene Odundo: The Journey of Things

The Kenyan-born artist’s lustrous ceramics become the anchor for a voyage through three millennia ...

Power Play

With work from artists from South Korea, Europe and the United Arab Emirates, this exhibition consid...

Sara Piccinini – interview: ‘We don’t want to give an idea of comple...

In 2007, the formidable art collection of Achille Maramotti, the man behind the Max Mara fashion hou...

Phoebe Boswell – interview: ‘Grief is not a personal thing. It’s a h...

Boswell’s latest exhibition, The Space Between Things, which includes a video of her undergoing an...

All The Rembrandts

For the 350th anniversary of Rembrandt’s death, the Rijksmuseum is staging a once-in-a-generation ...

Phyllida Barlow: Cul-de-Sac

This exhibition of new work is more pared back than we have come to expect from Barlow. Her aim, she...

Ghislaine Leung: Constitution

In Leung’s new installation, it is clear she has a point to make. Just what that point is, though,...

Julianne Swartz interview – ‘Joy is also talking about sorrow and desp...

Swartz talks about Joy, Still, her site-specific sound installation at Grace Farms, and how the mult...

Imre Bak – interview: ‘In today’s language, we need to achieve some ...

The neo-avant-gardist recalls cold war isolation, his enduring commitment to geometric abstraction, ...

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