Ceal Floyer’s subversion of everyday objects continues her meditation on materiality in private an...
Klimt/Schiele: Drawings from the Albertina Museum, Vienna
Commemorating the centenary of the deaths of two of Austria’s great modernist artists, this exhibi...
Shen Fan: Works in Abstraction 1992-2017
This exhibition presents a survey of works by the Shanghai-based artist whose aim is to open up a di...
Fluorescent Chrysanthemum Remembered
Fluorescent Chrysanthemum Remembered, a retrospective exhibition, curated by Jasia Reichardt, celeb...
Jorge Pardo: ‘There’s a lot of No in conceptual art. I’m interested ...
Pardo and his team have transformed a tired French hotel in Arles into a work of art, designing and ...
Nature, says Swartz, is her primary source of inspiration and her paintings are grounded in the incr...
British photographer Oli Kellett travels to the US to shoot people at road junctions. Here, he expla...
A tribute to the British artist and art historian whose droll vignettes and punning wordplay open up...
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Royal Academy: Art is Part of the Equation
With its packed walls, vibrant colour and impressive work, the Royal Academy’s first show by artis...
With glimmers of a cloak-and-danger cold war thriller, this look at the US artist’s 1958 UK debut ...
This is a portrayal of love and intimacy, but love and pain are inevitably intertwined, and Hole is ...
Gabriele Münter: Painting to the Point
Best-known for her colourful, expressionist landscapes and her graphic portraits, as well as for her...
Lorenzo Lotto was a painter of emotions as well as likenesses. With every portrait, he reached beyon...
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Christine Ay Tjoe: ‘I will always treat every medium as paper and pencil...
For her first solo exhibition in London, the Indonesian artist presents a group of intricately layer...
Janet Biggs: Like Walking on Mars
In her three new films, Biggs mixes footage of the Mars Desert Research Station in Utah with scenes ...
Trend-spotting is over, but lacking, too, was the buzz. In the end, what ABMB brought to fair-goers ...
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Chihuly’s sheer brilliance and inventiveness in working with glass shine through in the magical cr...
Gustavo Pérez Monzón: ‘Interests, obsessions and people keep appearing...
The Cuban artist discusses his return to production, a fascination with the systems of arcane scienc...
Brent Wadden: ‘I love a good happy accident. The mistakes end up being i...
The artist talks about Sympathetic Resonance, his new show at Pace, why he refers to his weaving as ...
Programmed: Rules, Codes and Choreographies in Art, 1965-2018
From Nam June Paik’s 1960s experiments to alter images on a TV screen to Ian Cheng’s use of chat...
London 1938: Defending ‘Degenerate’ Art
In 1938, a year after the notorious Nazi exhibition of “degenerate art” in Munich, a counter exh...
Leonard’s stripped-back black-and-white aerial photographs take us back to a simpler time...
Martin Creed: ‘You’re at the mercy of these feelings you don’t have ...
Creed spoke to us at the opening of his new show, Toast, which includes a dancing sock, a painting t...
Fernand Léger – New Times, New Pleasures
Léger is regarded as the father of pop art and, despite his harrowing experiences during the first ...
The Moongate Garden at the Sackler Gallery provided a magical backdrop for Mariko Mori’s performan...
In this fascinating show, large-scale immersive installations track visitors’ heartbeats and trans...
In a playful, rebellious show that explores the sinister and surreal of the everyday, the London-bas...
Gordon Matta-Clark: Works 1970-1978
Using films, photo collages and reconstructions, this show brings back to life the pioneering work o...
Robyn Denny: Paintings from the 1960s
Roche Court’s presentation of Robyn Denny’s mysterious and enigmatic 60s abstract paintings runs...
This exhibition brings together the works of a formidable group of artists whose friendship has insp...
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